从《被解放的姜戈》看暴力中的身份重建
发布时间：2018-07-23 09:00
【摘要】：关于身份重建，国内外都作过不少研究。有关于移民/移居后适应新文化的身份重建问题，关于身份随着时代推移而逐步演变的课题（尤其是女性身份），关于灾难或生活中某些剧变所导致的身份重建问题等。但关于研究电影角色的身份重建，却鲜有深入研究。 一般来说普遍认为，源自现实世界人们切身感受体会的资料是更真实科学的，然而对此也有争议，因为作为研究对象的人们自身，在回答问卷/调查时，对相关事件，记忆不一定完全准确，判断也可能过于主观或是易变。而电影，作为视觉艺术的一种新形式以及文学作品的新推动力（不少电影由文学作品改编），取之于生活来源于生活并反映生活切面。电影从诞生到发展至今的过程中，反映社会现状引起人类深思甚至推动社会改革的影片不计其数（包括建构在虚拟故事之上的），因此，作为一种新的观察社会发展现状及隐藏问题的工具，电影值得我们去研究甚至是习得某些规律来解决现实生活问题。 美国电影导演昆汀·塔伦蒂诺，以其非线性故事结构，黑色幽默角色设定以及其极具个人特色的暴力美学而闻名。他的新影片《被解放的姜戈》讲述了南北大战前，一位名叫姜戈的黑人奴隶通过自我身份的重建，使用暴力手段，向白人世界进行复仇的故事。在这部电影里，男主角的身份重建过程随着他所经历的事以及他所吸收并同化的新文化一步步展开，因此本片适于用作身份重建的案例分析。同时，昆汀的特色暴力美学在本片中也一览无遗，可作为重要推动成分进行研究分析。 本文旨在对昆汀新片《被解放的姜戈》男主角--姜戈的身份重建过程进行具体案例研究分析。其前本文大胆假定姜戈在复仇过程中所吸收并同化的新文化对其身份重建起到了关键性的催化作用，过程中每一次混合文化角色扮演对身份重建起到推动作用，，而电影中展现出的暴力则是在其所处环境中为达目的的合理方式。本文会运用到汀·图梅的身份协商理论，霍米·巴巴的杂糅理论以及福柯的权力理论，通过分析推动姜戈身份重建的每个关键对话/文化沟通环节来探讨其身份重建的整个过程。 通过对电影的仔细研究，本文会证明其推论，并讨论其局限之处，以提供给未来相关研究一定参考。本文作者进一步提出，研究电影以供现实生活参照学习不失为一种新的思考方式。
[Abstract]:There has been a lot of research on identity reconstruction both at home and abroad. There are issues of identity reconstruction for immigrants / post-emigrants to adapt to the new culture, questions about the gradual evolution of identity over time (especially female identity), problems of identity reconstruction as a result of disasters or some dramatic changes in life, etc. However, there are few in-depth studies on the identity reconstruction of movie characters. Generally speaking, it is generally believed that information derived from people's personal feelings in the real world is more truthful and scientific, but this is also controversial because the people themselves who were the subject of the study responded to questionnaires / surveys about relevant events. Memory may not be completely accurate, and judgment may be too subjective or variable. Film, as a new form of visual art and a new driving force of literary works (many films are adapted from literary works), is derived from life and reflects the aspect of life. In the process from birth to development, there are countless films (including those based on fictitious stories) that reflect the current situation of society and cause human beings to ponder and even promote social reform. As a new tool to observe the current situation of social development and hide problems, movies are worth studying and even acquiring some laws to solve real life problems. American film director Quentin Tarantino is known for his nonlinear story structure, black humorous character settings and his personal aesthetics of violence. His new film, "liberated ginger," tells the story of a black slave named Jango who used violence to avenge the white world through self-reconstruction and violence before the North and South Wars. In this film, the actor's identity reconstruction process is carried out step by what he experiences and the new culture he assimilates, so it is suitable for the case study of identity reconstruction. At the same time, Quentin's characteristic aesthetics of violence in this film also unmistakable, can be an important component to promote research and analysis. The purpose of this paper is to make a case study on the process of identity reconstruction of the protagonist of Quentin's new film "liberated Jiang GE". This paper assumes that the new culture absorbed and assimilated by Jiang GE in the process of revenge plays a key role in the reconstruction of his identity, and each time in the process, the role of mixed culture plays a role in promoting the reconstruction of identity. The violence shown in the film is a reasonable way to achieve a goal in its environment. This paper will apply the theory of identity negotiation, Homi Baba's theory of hybridity and Foucault's theory of power. The whole process of Jiang GE identity reconstruction is discussed by analyzing each key dialogue / cultural communication link that promotes his identity reconstruction. Through careful study of the film, this paper will prove its inferences and discuss its limitations, which can be used as a reference for future research. The author further suggests that it is a new way of thinking to study movies for reference of real life.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2138893
[Abstract]:There has been a lot of research on identity reconstruction both at home and abroad. There are issues of identity reconstruction for immigrants / post-emigrants to adapt to the new culture, questions about the gradual evolution of identity over time (especially female identity), problems of identity reconstruction as a result of disasters or some dramatic changes in life, etc. However, there are few in-depth studies on the identity reconstruction of movie characters. Generally speaking, it is generally believed that information derived from people's personal feelings in the real world is more truthful and scientific, but this is also controversial because the people themselves who were the subject of the study responded to questionnaires / surveys about relevant events. Memory may not be completely accurate, and judgment may be too subjective or variable. Film, as a new form of visual art and a new driving force of literary works (many films are adapted from literary works), is derived from life and reflects the aspect of life. In the process from birth to development, there are countless films (including those based on fictitious stories) that reflect the current situation of society and cause human beings to ponder and even promote social reform. As a new tool to observe the current situation of social development and hide problems, movies are worth studying and even acquiring some laws to solve real life problems. American film director Quentin Tarantino is known for his nonlinear story structure, black humorous character settings and his personal aesthetics of violence. His new film, "liberated ginger," tells the story of a black slave named Jango who used violence to avenge the white world through self-reconstruction and violence before the North and South Wars. In this film, the actor's identity reconstruction process is carried out step by what he experiences and the new culture he assimilates, so it is suitable for the case study of identity reconstruction. At the same time, Quentin's characteristic aesthetics of violence in this film also unmistakable, can be an important component to promote research and analysis. The purpose of this paper is to make a case study on the process of identity reconstruction of the protagonist of Quentin's new film "liberated Jiang GE". This paper assumes that the new culture absorbed and assimilated by Jiang GE in the process of revenge plays a key role in the reconstruction of his identity, and each time in the process, the role of mixed culture plays a role in promoting the reconstruction of identity. The violence shown in the film is a reasonable way to achieve a goal in its environment. This paper will apply the theory of identity negotiation, Homi Baba's theory of hybridity and Foucault's theory of power. The whole process of Jiang GE identity reconstruction is discussed by analyzing each key dialogue / cultural communication link that promotes his identity reconstruction. Through careful study of the film, this paper will prove its inferences and discuss its limitations, which can be used as a reference for future research. The author further suggests that it is a new way of thinking to study movies for reference of real life.
【学位授予单位】：上海外国语大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
相关期刊论文 前4条
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2 王涛;;昆汀·塔伦蒂诺电影中的“暴力美学”[J];世界文化;2009年09期
3 娜斯;;解构昆汀[J];书城;2004年05期
4 张梦中,马克·霍哲;案例研究方法论[J];中国行政管理;2002年01期
本文编号：2138893
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