华语电影文本跨媒介互文性研究：从2005到2015

发布时间：2018-07-23 10:42

【摘要】：作为传递信息和介质的媒介,与文本既密不可分又相互作用。随着媒介的变迁,媒介间的开放、交流与融合,文本的“互文性”得到了开发和生长。文本被多次重述,其潜在的、新的“意义链”被生产出来,从而拓展了文本自身的意义空间,由此衍生出新的文化产品。本研究借助互文性理论,根据文本的主要表意形式,将2005——2015年间大陆通过文本跨媒介转换的电影作品分为文字文本、图像文本和舞台文本,并选取其中三部电影作品作为研究对象,尝试在互文性语境下对其进行文本分析,重点考察每一类文本形态在跨媒介转换后的文本对话和意义流动,审视关联文本间相互指涉的过程。论文最终基于不同文本形态跨媒介转换电影的共通之处,探究如何开发文本,提高其跨媒介转换电影的成功率。开发文本的最关键之处就在于建立电影文本与原文本的互文性。虽然所有文本都有机会通过跨媒介转换为电影,从而得到更充分的开发,但并非所有文本都适合进行跨媒介电影文本的呈现。只有经过时间与受众认可的,其本身具有较好叙述性,并且在其故事中蕴含有可深度挖掘的丰富文化内涵的文本,才有可能以其鲜明的文本表征与电影媒介衔接呼应,成为电影文本。而电影媒介的新语境又为此文本跨媒介的演绎过程中电影文本意义的构建,提供了更具有开放性的更多可能。以此,电影文本应借助文本间相互共有的文本启示与隐喻,与原文本形成集聚式的叙事,把无处不在的传统文化和集体记忆的影响考虑在内,为受众营造多文本与多媒介的互文叙事体验。在媒介融合的数字化传播时代的当下,中国电影创作的理念和面貌也渐趋多元和更具想象力,互文性文本的建构已经成为电影产业的一个运作模式和发展趋势。而文本的生命力在开发和应用电影中“永葆青春”,还需借助电影的媒介特性和技术优势,根据时代文化和审美情感的变化,有所作为。
[Abstract]:As a medium for transmitting information and media, text is closely related to and interacted with each other. With the change of the media, the opening, communication and fusion of the media, the intertextuality of the text has been developed and grown. The text is repeated many times, its latent, new "meaning chain" is produced, thus expanding the meaning space of the text itself, thus deriving new cultural products. With the help of intertextuality theory, according to the main ideographic forms of the text, this study divides the film works of the mainland into text, image text and stage text from 2005 to 2015. Three of the films are selected as the research object to analyze the text in the context of intertextuality, focusing on the text dialogue and meaning flow of each kind of text form after the cross-media transformation. This paper examines the process of referring to each other in relevant texts. Finally, based on the common features of different text forms, this paper explores how to develop text and improve the success rate of cross-media film conversion. The key to develop the text is to establish the intertextuality between the film text and the original text. Although all texts have the opportunity to be fully developed through cross-media conversion to movies, not all texts are suitable for cross-media film text presentation. Only after time and audience approval, its itself has a good narrative, and its story contains rich cultural connotations that can be excavated in depth, it is possible to use its distinctive text representation and film media link echo, Become the text of a movie. The new context of film media provides more open possibilities for the construction of the meaning of film texts in the process of cross-media interpretation. In this way, the film text should take into account the influence of the ubiquitous traditional culture and collective memory by means of the text revelation and metaphor shared among the texts, and forming a collective narrative with the original text. Create a multi-text and multi-media intertextuality narrative experience for the audience. In the era of digital communication of media fusion, the concept and appearance of Chinese film creation is becoming more and more diverse and more imaginative. The construction of intertextuality text has become a mode of operation and development trend of the film industry. The vitality of the text in the development and application of film "forever youth", but also with the media characteristics and technical advantages of the film, according to the changes of culture and aesthetic feelings of the times, something to do.
【学位授予单位】：北京交通大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J904

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