陈凯歌电影中的戏曲元素运用研究

发布时间：2018-07-23 14:30

【摘要】：戏曲艺术与电影艺术,自电影《定军山》起便结下了不解之缘。中国电影在发展道路上不断地吸取传统文化,同时也大大的丰富了电影的内涵,体现了民族特色。戏曲艺术是我国传统艺术中的一颗璀璨明珠,值得中国电影不断地从中汲取精粹。戏曲元素的运用将是中国电影民族化道路上的新方向。但是,电影中加入戏曲元素,绝不是简单的堆积,而是要把戏曲元素恰到好处的运用在电影的故事叙述、情感渲染、人物塑造、戏剧表演等技巧上,这样才能使戏曲元素在电影中的运用如鱼得水,展示出其独特的魅力。在众多电影导演中,陈凯歌属于钟情于民族文化、具有历史厚重感的导演之一。这与他的生长环境、人生经历、艺术追求有极大地关系。他的作品数量并不多,运用戏曲元素的作品主要有电影《霸王别姬》、《梅兰芳》、《赵氏孤儿》等。本文将以戏曲与电影的融合发展为基础,以陈凯歌导演的创作特点为主线论述其电影作品中的戏曲元素运用,并以《霸王别姬》、《赵氏孤儿》、《梅兰芳》等典型影片为例进行分析。本文首先从戏曲与电影的异同、融合发展为起点开始论述,在此基础上分析概括陈凯歌导演作品中戏曲元素的成功运用。论文主体分为戏曲故事运用、梨园人物形象重塑、戏曲表演元素的借鉴、戏曲唱段与念白的引用五大方面。此外,论文对于这些戏曲元素的运用在影片中起到的作用也有整理归纳。最后,本文对陈凯歌影视作品中戏曲元素运用的不足之处与对电影民族化道路探索也有一定的论述。
[Abstract]:Opera art and film art, since the film Dingjun Mountain has formed an inextricable bond. Chinese film absorbs the traditional culture continuously on the development road, at the same time, it enriches the connotation of the film greatly, and embodies the national characteristic. Opera art is a bright pearl in Chinese traditional art. The use of opera elements will be a new direction on the road of nationalization of Chinese films. However, it is not a simple accumulation to add drama elements to the film, but to apply the opera elements to the story narration, the emotional rendering, the character shaping, the dramatic performance and so on. Only in this way can the elements of drama be used in the film as if they were in full swing, showing their unique charm. Among many film directors, Chen Kaige is one of the directors who love national culture and have a heavy sense of history. This and his growing environment, life experience, art pursuit has a great relationship. The number of his works is not many. The main works using the elements of drama are the movies Farewell to my Concubine, Mei Lanfang, Orphan Zhao and so on. Based on the fusion and development of drama and film, this paper discusses the application of opera elements in his film works based on the characteristics of director Chen Kaige's creation, and analyzes the typical films such as Farewell to my Concubine, Orphan Zhao, and Mei Lanfang. This paper begins with the similarities and differences between drama and film, and starts with the fusion and development. On this basis, it analyzes and generalizes the successful application of opera elements in the works of Chen Kaige director. The main body of the thesis is divided into five aspects: the use of drama stories, the reconstruction of the characters in Li Yuan, the reference of the elements of opera performance, and the citation of singing passages and reading white. In addition, the use of these opera elements in the film also has a summary of the role played. Finally, this paper discusses the deficiency of the use of opera elements in Chen Kaige film and television works and the exploration of the nationalization of films.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

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