电影之“花道”——论铃木清顺的美学追求
发布时间：2018-07-24 12:13
【摘要】：正电影《春樱》(1983)中,一名酷爱樱花的花匠,将整株樱花树移植进一辆"五十铃"大篷卡车里,载着它寻找最适合樱花生长的地方。夜晚,满树樱花在天蓝色车篷衬托下熠熠生辉,一名同样喜爱樱花的女子看到眼前这一奇景,贪婪地欣赏着它的艳丽。这一人工幻化美学,正是日本导演铃木清顺的电影风格标志,导演借"樱花"来比喻电影,借花匠之口表述自己对电影美学的独特观点:"虽然樱花有很多种类,但有一点是共通的,那就是突然开放,突然凋
[Abstract]:In the movie "Spring Cherry" (1983), a florist who loves cherry blossoms transplants the whole tree into a Isuzu truck, carrying it in search of the best place to grow cherry blossoms. At night, the cherry trees gleamed against the sky blue hood, and a woman who also loved the cherry blossoms saw the spectacle and greedily appreciated its splendor. This artificial illusion of aesthetics is the symbol of Japanese director Suzuki's clear film style. The director uses "Cherry Blossom" as a metaphor for the film and uses the mouth of the gardener to express his unique view of film aesthetics: "although there are many kinds of cherry blossoms, But there is one thing in common, that is, suddenly opening, suddenly faltering.
【作者单位】： 湖北工业大学艺术设计学院;武汉大学艺术学系;
【基金】：2014年度湖北工业大学博士科研启动基金计划项目:《影像媒体艺术中的绿色审视》(项目编号:BSQD14048)成果
【分类号】：J901
本文编号：2141346
[Abstract]:In the movie "Spring Cherry" (1983), a florist who loves cherry blossoms transplants the whole tree into a Isuzu truck, carrying it in search of the best place to grow cherry blossoms. At night, the cherry trees gleamed against the sky blue hood, and a woman who also loved the cherry blossoms saw the spectacle and greedily appreciated its splendor. This artificial illusion of aesthetics is the symbol of Japanese director Suzuki's clear film style. The director uses "Cherry Blossom" as a metaphor for the film and uses the mouth of the gardener to express his unique view of film aesthetics: "although there are many kinds of cherry blossoms, But there is one thing in common, that is, suddenly opening, suddenly faltering.
【作者单位】： 湖北工业大学艺术设计学院;武汉大学艺术学系;
【基金】：2014年度湖北工业大学博士科研启动基金计划项目:《影像媒体艺术中的绿色审视》(项目编号:BSQD14048)成果
【分类号】：J901
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