张艺谋早期电影中红色元素的文化传播研究
发布时间：2018-07-24 21:49
【摘要】：张艺谋作为中国电影发展史上的一个里程碑,其对色彩的极致应用与独特的运用思维对中国电影乃至世界电影作出了极其重要的贡献。他在电影中用唯美的色彩来装扮影片画面,在带给观众完美的视觉享受的同时,也提升了色彩在渲染故事情节、表达人物情感、塑造影片氛围、加强影片整体造型方面的重要性,显而易见的,张艺谋在色彩的处理上是相当多变和独特的。正是由于在张艺谋的影片中,色彩从一种象征符号,升华为了影片的生命力之所在,所以,张艺谋的影片风格,与其说是对影视视觉造型的追求,不如说是电影创作向艺术风格的升华。然而,业内外对张艺谋电影的批判声也从未消失过。对其最大的批判声音来自于,张艺谋电影中过于注重色彩营造的视觉美感,远远超过其对影片内容、人物造型的塑造。针对此种现象,为了弄清楚在张艺谋的影片中,导演是如何做到使色彩运用与思想表达之间达到一种融洽的关系,本文在阐明色彩和意象含义的基础上,提出了色彩意象理论,以发掘张艺谋在其影片中是如何娴熟地运用色彩的,从而也为进一步研究张艺谋的电影作品提供一个全新的视角。本文首先在对张艺谋及其电影中的文化特征,尤其是电影语言进行简要分析的基础上,对其影视作品中所运用的色彩语言进行深入分析,并说明色彩意象理论的现实研究状况,最终以简要阐述色彩意象理论的内容为基础,分析其在影视作品中的色彩意象具体内容,以张艺谋在早期所创作的三部代表作为例,即以《红高粱》、《大红灯笼高高挂》以及《菊豆》三部影片为例,系统阐述张艺谋电影中红色元素的构成要素与文化传播研究。
[Abstract]:Zhang Yimou as a milestone in the history of Chinese film development, its extreme application of color and unique application of thinking have made an extremely important contribution to Chinese film and even the world film. He dressed up the film with beautiful colors in the film. While bringing the audience the perfect visual enjoyment, he also enhanced the color in rendering the story, expressing the emotions of the characters, and shaping the atmosphere of the film. The importance of enhancing the overall shape of the film is obvious, Zhang Yimou in color handling is quite changeable and unique. It is precisely because in the Zhang Yimou film, color is sublimated from a symbolic symbol to the vitality of the film, so Zhang Yimou's film style is not so much the pursuit of visual modeling of the film and television. More like film creation to the sublimation of artistic style. However, the criticism of Zhang Yimou films inside and outside the industry has never disappeared. The biggest critical voice comes from the Zhang Yimou film, which pays too much attention to the color creation of the visual aesthetic, far more than its film content, character modeling. In order to find out how to achieve a harmonious relationship between the use of color and the expression of ideas in Zhang Yimou films, this paper puts forward the theory of color image on the basis of explaining the meaning of color and image. In order to explore how Zhang Yimou skillfully uses color in his films, it also provides a new perspective for the further study of Zhang Yimou's film works. Based on the brief analysis of the cultural characteristics of Zhang Yimou and its films, especially the film language, this paper makes a deep analysis of the color language used in its film and television works, and explains the current situation of the research on the theory of color image. Finally, based on a brief description of the content of color image theory, this paper analyzes the specific content of color image in film and television works, taking the three representative works of Zhang Yimou in the early period as an example. Taking Red Sorghum (Red Sorghum), Red Lantern hanging High "and" Ju Bean "as examples, this paper systematically expounds the elements of red elements and cultural communication in Zhang Yimou films.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
[Abstract]:Zhang Yimou as a milestone in the history of Chinese film development, its extreme application of color and unique application of thinking have made an extremely important contribution to Chinese film and even the world film. He dressed up the film with beautiful colors in the film. While bringing the audience the perfect visual enjoyment, he also enhanced the color in rendering the story, expressing the emotions of the characters, and shaping the atmosphere of the film. The importance of enhancing the overall shape of the film is obvious, Zhang Yimou in color handling is quite changeable and unique. It is precisely because in the Zhang Yimou film, color is sublimated from a symbolic symbol to the vitality of the film, so Zhang Yimou's film style is not so much the pursuit of visual modeling of the film and television. More like film creation to the sublimation of artistic style. However, the criticism of Zhang Yimou films inside and outside the industry has never disappeared. The biggest critical voice comes from the Zhang Yimou film, which pays too much attention to the color creation of the visual aesthetic, far more than its film content, character modeling. In order to find out how to achieve a harmonious relationship between the use of color and the expression of ideas in Zhang Yimou films, this paper puts forward the theory of color image on the basis of explaining the meaning of color and image. In order to explore how Zhang Yimou skillfully uses color in his films, it also provides a new perspective for the further study of Zhang Yimou's film works. Based on the brief analysis of the cultural characteristics of Zhang Yimou and its films, especially the film language, this paper makes a deep analysis of the color language used in its film and television works, and explains the current situation of the research on the theory of color image. Finally, based on a brief description of the content of color image theory, this paper analyzes the specific content of color image in film and television works, taking the three representative works of Zhang Yimou in the early period as an example. Taking Red Sorghum (Red Sorghum), Red Lantern hanging High "and" Ju Bean "as examples, this paper systematically expounds the elements of red elements and cultural communication in Zhang Yimou films.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
【共引文献】
相关期刊论文 前10条
1 肖艳;王珊;;轨道交通枢纽室内视觉环境色彩分析[J];四川建筑科学研究;2008年05期
2 赵梓钧;王e，
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