斯堪的纳维亚的变化之声——北欧电影新生代初探

发布时间：2018-07-26 12:46

【摘要】：由于特殊的地理位置、历史政治和文化原因,使地处北欧的斯堪的纳维亚各国在电影生产上既有各自的独特性又具备共同的特征。尤其是近年来各国电影合作交流非常频繁,使这一地区的电影成为了一种地缘艺术,以抱团的姿态面向世界,同时提供给研究者以整体观察视野。这其中,于2010年前后崭露头角的一批青年电影人和他们的作品成为了继20世纪六七十年代欧洲新浪潮和90年代国际化策略之后的全新文化景观,不仅体现了当下北欧电影在文化全球化语境下的本土制片策略与创作特征,同时也是理解当下各国乃至斯堪的纳维亚地区政治、经济与文化的现状以及社会变革演进的媒介透视镜。
[Abstract]:Because of the special geographical location, historical political and cultural reasons, the Scandinavian countries in northern Europe have their own unique and common characteristics in the production of films. Especially in recent years, the film cooperation and communication between various countries is very frequent, which makes the film in this area become a kind of geo-art, which faces the world in the form of a group, and provides the researchers with a whole visual field of observation at the same time. Among them, a group of young filmmakers who emerged around 2010 and their works have become a new cultural landscape after the new wave of Europe in the 1960s and 1970s and the internationalization strategy of the 1990s. It not only reflects the local production strategy and creative characteristics of Nordic films in the context of cultural globalization, but also understands the politics of countries and even Scandinavia. The present situation of economy and culture and the medium perspective mirror of social transformation and evolution.
【作者单位】：上海师范大学人文与传播学院;
【基金】：国家社科基金艺术学青年项目阶段性成果(2016GC00362) 上海市高校青年教师培养资助计划项目阶段性成果
【分类号】：J905

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