数字化手绘美术风格在动画中的实践与探索
[Abstract]:Under the general trend of digital production, traditional hand-drawn animation forms and means gradually withdraw from the mainstream, digitally produced animation (such as three-dimensional animation, four-dimensional animation), bring people a new and more abundant visual experience at the same time, But lost the charm of hand-drawing. In two-dimensional animation, "single line flat painting", as a "standardized" hand-painted form, also loses the artificial and casual feeling of hand-painting, and the rich texture and visual texture left by different materials when hand-painted. Therefore, people are more willing to separate from the single-line flat-painted, painting materials left traces of animation style called hand-drawing style. Hand-drawing style animation absorbs the rich visual expression of painting art and displays unique artistic charm by using audio-visual language and multi-emotional expression. However, due to the variety of visual effects, there is no fixed method in the production of hand-painted style animation. Typical and successful hand-painted style works always have their own special case in the production method, most of the methods can not be used for reference, nor can they be quantified in production. Under the mainstream background of digital means in animation production in the new period, this paper, through the practice of short film creation, summarizes the method of making digital analog hand-drawn style animation theoretically. This paper discusses the feasibility and advantages of digital means in making hand-drawn style animation, and provides a new reference for making hand-painted style animation.
【学位授予单位】:清华大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J954
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