当下华语同性恋电影的精神分析研究（1990至今）
发布时间：2018-07-28 09:18
【摘要】：“同性恋”作为一种客观存在的社会现象、生活方式及审美趣味，在社会历史发展的进程中几经演变，却长期处于主流意识形态话语之外敏感的边缘地带。而随着社会文化语境的多元交融，“同性恋”以一种独特的亚文化形态呈现在研究者、创作者们视野中，并越发受到关注。“同性恋电影”成为一种形象化的影像言说方式，而“华语同性恋电影”在不断的抗争与突破中探索与尝试，逐渐取得不菲成绩并获得受众认可，对于“华语同性恋电影”的探讨也愈发激烈并众说纷纭。 精神分析学说作为电影研究发展进程中辅助理论之一，在现代社会强调学科互涉的理论背景下，，对于电影研究形成知识互通的开放结构具有重要作用。本文即通过精神分析的视角，对华语“同性恋电影”的“同性恋”文本话语言说与影像文本视听构建方面进行双重剖析，一方面利用弗洛伊德的精神分析方法，从影片中“同性恋”者自我身份的认同、孤独生存状态下的归宿寻找、以及“异性”之于“同性恋”者的意义三重角度逐级剖析影像中的“同性恋”文本话语；另一方面又运用克里斯蒂安．麦茨的电影精神分析法，以“同性恋”电影从“想象”到“象征”及观影的受虐与认同两个层面为基点解读影像文本的视听元素，找到了精神分析理论在电影个案中的表现依据并实践了电影研究思路的拓展。 本文分析了华语“同性恋”电影中关于生存困境与现实的折射及对生命本体体验的关照两方面内容，探究了影片主题中对人性情欲的隐晦表达，并由此引发对该特定群体的关注与对个体存在价值的诘问与思考。 通过与同时期“西方同性恋电影”进行对比，得出了中西文化认同与道德接受方面的差异。进一步阐述了华语“同性恋电影”之于中国电影整体发展的意义，以及存在的创作困境，最终以“接纳存在，尊重差异”的立场着力于引导对“同性恋电影”的正确认识。
[Abstract]:As an objective social phenomenon, "homosexuality", with its lifestyle and aesthetic taste, has evolved several times in the course of social and historical development, but it has been on the edge of the mainstream ideological discourse for a long time. With the combination of social and cultural context, "homosexuality" is presented as a unique subcultural form in the eyes of researchers and creators, and has been paid more and more attention. "gay film" has become an image of the way of expression, while "Chinese gay film" in the constant struggle and breakthrough in the exploration and attempt, gradually achieved good results and won the audience recognition. The discussion of Chinese-language gay film is becoming more and more intense and divergent. As one of the auxiliary theories in the development of film research, psychoanalysis plays an important role in forming an open structure of knowledge exchange in film research under the background of emphasizing the interrelation of subjects in modern society. This paper, from the perspective of psychoanalysis, makes a double analysis of the two aspects of the construction of the text of "homosexuality" and the audio-visual construction of the video text of the Chinese "gay film". On the one hand, it uses Freud's psychoanalytic method. In this paper, the author analyzes the text discourse of "homosexuality" from the perspective of the identity of the homosexual in the film, the homophobia in the lonely existence, and the meaning of the heterosexual to the gay. On the other hand, it uses Christian Metz's psychoanalysis method to interpret the audio-visual elements of the image text from the aspects of "imagination" to "symbolism" and the masochism and identity of the movie. Find out the performance basis of psychoanalysis theory in film cases and practice the development of film research ideas. This paper analyzes the refraction of the dilemma and reality of existence and the care of the experience of life in the Chinese film "homosexuality", and probes into the obscure expression of human desire in the theme of the film. It also causes the attention of this particular group and the questioning and reflection on the value of individual existence. The differences between Chinese and Western cultural identity and moral acceptance are obtained through comparison with the western gay films of the same period. This paper further expounds the significance of the Chinese language "gay film" to the overall development of Chinese films, as well as the existing creative difficulties, and finally focuses on guiding the correct understanding of "gay film" from the standpoint of "accepting existence and respecting differences".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2149633
[Abstract]:As an objective social phenomenon, "homosexuality", with its lifestyle and aesthetic taste, has evolved several times in the course of social and historical development, but it has been on the edge of the mainstream ideological discourse for a long time. With the combination of social and cultural context, "homosexuality" is presented as a unique subcultural form in the eyes of researchers and creators, and has been paid more and more attention. "gay film" has become an image of the way of expression, while "Chinese gay film" in the constant struggle and breakthrough in the exploration and attempt, gradually achieved good results and won the audience recognition. The discussion of Chinese-language gay film is becoming more and more intense and divergent. As one of the auxiliary theories in the development of film research, psychoanalysis plays an important role in forming an open structure of knowledge exchange in film research under the background of emphasizing the interrelation of subjects in modern society. This paper, from the perspective of psychoanalysis, makes a double analysis of the two aspects of the construction of the text of "homosexuality" and the audio-visual construction of the video text of the Chinese "gay film". On the one hand, it uses Freud's psychoanalytic method. In this paper, the author analyzes the text discourse of "homosexuality" from the perspective of the identity of the homosexual in the film, the homophobia in the lonely existence, and the meaning of the heterosexual to the gay. On the other hand, it uses Christian Metz's psychoanalysis method to interpret the audio-visual elements of the image text from the aspects of "imagination" to "symbolism" and the masochism and identity of the movie. Find out the performance basis of psychoanalysis theory in film cases and practice the development of film research ideas. This paper analyzes the refraction of the dilemma and reality of existence and the care of the experience of life in the Chinese film "homosexuality", and probes into the obscure expression of human desire in the theme of the film. It also causes the attention of this particular group and the questioning and reflection on the value of individual existence. The differences between Chinese and Western cultural identity and moral acceptance are obtained through comparison with the western gay films of the same period. This paper further expounds the significance of the Chinese language "gay film" to the overall development of Chinese films, as well as the existing creative difficulties, and finally focuses on guiding the correct understanding of "gay film" from the standpoint of "accepting existence and respecting differences".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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