宫崎骏动画电影美学研究
发布时间：2018-07-28 19:25
【摘要】：本论文主要对宫崎骏动画电影，从动画影视视听语言以及动画电影美学的角度作一次较为全面系统的整理和研究。 宫崎骏作为世界动画电影大师，其作品已经不仅仅局限于“娱乐”，赋予了作品厚重的思想主题和浓郁的人文色彩，将作品提升到了人文的高度。打破了人们对于动画电影的固有认识和动画电影以儿童观众为主的传统定位。宫崎骏动画电影作品主题多样、题材丰富，不论从故事构建还是艺术创作上都非常出色。 本文以艺术学、影视美学以及叙事学为理论基础，以宫崎骏的所有动画电影作品为研究文本。首先，从影视语言的角度对宫崎骏动画电影的画面构成进行分析，在电脑动画技术盛行的当今，宫崎骏却一直坚持自己独特的手绘创作风格，在色彩的运用上也形成了特有的宫式风格，简单的原色和鲜艳的混合色的运用弥补了手绘创作色彩单调的不足；在构图的处理上，宫崎骏也恰到好处的运用了各种景别进行切换，特别是远景和全景式构图的使用，对于表达“人与自然”的主题、舒缓影片节奏方面发挥了重要作用。音乐作为视听语言的重要构成部分，对作品主题的表达发挥着重要作用，与久石让的长期连贯性合作，使得宫崎骏动画电影的音乐保持了风格的延续性，本文将从简约主义的音乐风格和民族风情的音乐使用角度对宫崎骏动画电影的音乐进行解读。其次，从叙事学的角度对宫崎骏动画电影的情节类型和人物设定进行分析，也可以跟加深入的解读其故事内涵。最后，，美学意蕴作为本文的一个重点阐述章节，将从宫崎骏动画电影作品中自然渗透的日本民族独特的美学品质，传统的神灵观、自然观和审美观等方面进行深入研究。
[Abstract]:In this paper, MiyazakiHayao animation film, from the perspective of animation audiovisual language and animation film aesthetics, a more comprehensive and systematic arrangement and research. As a world animation master, MiyazakiHayao's works have not only been confined to "entertainment", but also endowed the works with a heavy ideological theme and rich humanistic color, and promoted the works to the height of humanity. It breaks the traditional recognition of animation film and the traditional orientation that children audience is the main part of animation film. MiyazakiHayao animated films have various themes and rich themes, which are excellent in both story construction and artistic creation. Based on the theory of art, film and television aesthetics and narratology, this paper takes all MiyazakiHayao's animated films as the research text. First of all, from the perspective of film and television language to analyze the screen composition of MiyazakiHayao animated films, in the computer animation technology is prevalent today, MiyazakiHayao has always insisted on their own unique style of hand-drawn creation. In the use of color also formed a unique palace style, the use of simple primary colors and bright mixed colors to make up for the lack of monotonous hand-painted color; in the composition of the processing, MiyazakiHayao also makes good use of all kinds of scenes to switch, especially the use of vision and panoramic composition, which plays an important role in expressing the theme of "man and nature" and soothing the rhythm of the film. As an important component of audiovisual language, music plays an important role in the expression of the theme of the works. This paper interprets the music of MiyazakiHayao animation film from the perspective of minimalist music style and national customs. Secondly, from the perspective of narratology, this paper analyzes the plot types and character settings of MiyazakiHayao animated films, which can also be interpreted in depth. Finally, as an important chapter of this paper, aesthetic implication will be deeply studied from the aspects of the unique aesthetic quality of the Japanese nation, the traditional deity view, the natural view and the aesthetic concept, which are naturally infiltrated in the MiyazakiHayao animated films.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
[Abstract]:In this paper, MiyazakiHayao animation film, from the perspective of animation audiovisual language and animation film aesthetics, a more comprehensive and systematic arrangement and research. As a world animation master, MiyazakiHayao's works have not only been confined to "entertainment", but also endowed the works with a heavy ideological theme and rich humanistic color, and promoted the works to the height of humanity. It breaks the traditional recognition of animation film and the traditional orientation that children audience is the main part of animation film. MiyazakiHayao animated films have various themes and rich themes, which are excellent in both story construction and artistic creation. Based on the theory of art, film and television aesthetics and narratology, this paper takes all MiyazakiHayao's animated films as the research text. First of all, from the perspective of film and television language to analyze the screen composition of MiyazakiHayao animated films, in the computer animation technology is prevalent today, MiyazakiHayao has always insisted on their own unique style of hand-drawn creation. In the use of color also formed a unique palace style, the use of simple primary colors and bright mixed colors to make up for the lack of monotonous hand-painted color; in the composition of the processing, MiyazakiHayao also makes good use of all kinds of scenes to switch, especially the use of vision and panoramic composition, which plays an important role in expressing the theme of "man and nature" and soothing the rhythm of the film. As an important component of audiovisual language, music plays an important role in the expression of the theme of the works. This paper interprets the music of MiyazakiHayao animation film from the perspective of minimalist music style and national customs. Secondly, from the perspective of narratology, this paper analyzes the plot types and character settings of MiyazakiHayao animated films, which can also be interpreted in depth. Finally, as an important chapter of this paper, aesthetic implication will be deeply studied from the aspects of the unique aesthetic quality of the Japanese nation, the traditional deity view, the natural view and the aesthetic concept, which are naturally infiltrated in the MiyazakiHayao animated films.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
【参考文献】
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