精英政治、白话现代主义与后现代视野——论南京民国城市影像的空间呈现与文化政治
发布时间：2018-07-29 17:30
【摘要】：南京作为民国历史上的"一国之都",承载着基于民国历史和政治认同维度上的空间想象,而作为经历南京大屠杀惨剧的"罹难之都",更是将国难叙事加以空间化影像表现的重要题材来源。考察当代中国电影中的南京民国城市影像,城市景观式的地域空间、全球化影像消费的非地域空间以及差异、矛盾化的异质空间分别表征着前现代式的精英政治、白话现代主义的消费政治与后现代视野中的自反式哲学。南京民国城市影像不仅是对积淀于城市空间的民国历史的一种追忆式塑造,更是多种文化政治投射于空间构形的想象性显影。
[Abstract]:Nanjing, as the capital of one country in the history of the Republic of China, bears the space imagination based on the dimension of the history and political identity of the Republic of China. As the "capital of death" which experienced the tragedy of Nanjing Massacre, it is an important subject source for the national disaster narration to be spatialized. The city images of the Republic of Nanjing in contemporary Chinese films, the regional space of urban landscape, the non-regional space of global image consumption and the difference, the contradictory heterogeneous space represent the pre-modern elitist politics, respectively. The consumer politics of vernacular modernism and the reflexive philosophy in postmodernism. The city image of the Republic of Nanjing is not only a kind of reminiscent molding of the history of the Republic of China accumulated in the urban space, but also a kind of imaginative development of many kinds of cultural and political projection on the spatial configuration.
【作者单位】： 上海大学上海电影学院;南京航空航天大学金城学院;
【基金】：江苏高校哲学社会科学基金资助项目“南京民国城市影像的塑造与海外传播研究”(项目批准号:2016SJD760131)的阶段性成果
【分类号】：J905
，
本文编号：2153462
[Abstract]:Nanjing, as the capital of one country in the history of the Republic of China, bears the space imagination based on the dimension of the history and political identity of the Republic of China. As the "capital of death" which experienced the tragedy of Nanjing Massacre, it is an important subject source for the national disaster narration to be spatialized. The city images of the Republic of Nanjing in contemporary Chinese films, the regional space of urban landscape, the non-regional space of global image consumption and the difference, the contradictory heterogeneous space represent the pre-modern elitist politics, respectively. The consumer politics of vernacular modernism and the reflexive philosophy in postmodernism. The city image of the Republic of Nanjing is not only a kind of reminiscent molding of the history of the Republic of China accumulated in the urban space, but also a kind of imaginative development of many kinds of cultural and political projection on the spatial configuration.
【作者单位】： 上海大学上海电影学院;南京航空航天大学金城学院;
【基金】：江苏高校哲学社会科学基金资助项目“南京民国城市影像的塑造与海外传播研究”(项目批准号:2016SJD760131)的阶段性成果
【分类号】：J905
，
本文编号：2153462
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