美国与中国二战题材战争片导演创作比较研究
发布时间：2018-07-31 17:08
【摘要】：第二次世界大战给世界人们带来了沉痛的灾难与精神上的伤害,在电影诞生一百多年的时间里,通过影像真实地再现战争中人们坚强、正直、真善美的一面和团结统一、坚忍不拔、自强不息、热爱和平的民族精神,以及揭示和反思战争所带来的灾难与罪恶一直以来就是世界电影的热门主题。美国好莱坞与中国大陆二战题材战争片在艺术表现力和创作技术手段方面都各有特点,本论文以电影史研究和影像艺术研究相结合的视角,采用类型研究、比较研究、文本个案研究等研究方法,通过对美国好莱坞与中国大陆二战题材战争片在剧本、视觉形象与声音方面的比较分析,丰富和提高中国大陆现有的创作方式,有助于提升中国电影的制作理念和导演的艺术创作,力图为未来中国大陆二战题材战争片的创作提供借鉴和参考。本论文整体上主要分为五章。在绪论部分,主要论述了本论文的研究背景、研究意义、研究方法、以及国内外二战题材战争片已有研究成果及研究现状。第一章论述了二战题材战争片的界定、美国好莱坞与中国大陆二战题材战争片的发展概况与导演创作理念。第二章主要是对美国好莱坞与中国大陆二战题材战争片的剧本进行论述研究,其中主要是从影片的人物、情节、叙事和主题分别进行论述研究,最后对美国好莱坞与中国大陆二战题材战争片的剧本进行比较分析。第三章主要是对美国好莱坞与中国大陆二战题材战争片导演对的视觉形象的创作,从影片电影美术和摄影分别进行论述研究,最后对美国好莱坞与中国大陆二战题材战争片的视觉形象进行比较分析。第四章主要是美国好莱坞与中国大陆二战题材战争片的导演对声音的选择和使用,从音乐和音响方面分别进行论述研究,最后对美国好莱坞与中国大陆二战题材战争片的声音进行比较分析。第五章论述了中国大陆二战题材战争片的创作现状,包括已经取得的成果和存在的问题。最后结语部分,论述了中国大陆二战题材战争片的发展前景。丰富的历史背景为战争片的创作提供了强有力的素材支持,中国导演必须要要利用好这些素材,通过影片剧本、视觉形象和声音方面导演创作手段的不断完善和探索,将中国人民在战争中体现的爱国精神、民族精神和英雄主义等充分展现出来,在给观众带来震撼的视听盛宴的同时,要引起人们对战争的反思,使影片达到思想性、艺术性和技术性的高度统一。
[Abstract]:The second World War brought deep disaster and spiritual injury to people all over the world. In the more than 100 years since the film was born, the people's strong, honest, true, good and beautiful side and unity in the war were truly reproduced through images. Perseverance, self-improvement, peace-loving national spirit, and revealing and reflecting on the disasters and evils brought by war have always been the hot themes of the world films. Hollywood and mainland China have their own characteristics in terms of artistic expression and creative techniques. This paper combines the study of film history with the study of image art, and adopts the genre study and comparative study. Text case study and other research methods, through a comparative analysis of American Hollywood and mainland China's World War II war films in terms of script, visual image and sound, enrich and improve the existing creative methods in mainland China. It helps to promote the production concept of Chinese films and the artistic creation of directors, and tries to provide reference for the creation of war films on the theme of World War II in the mainland of China in the future. This paper is divided into five chapters as a whole. In the introduction part, this paper mainly discusses the research background, research significance, research methods, as well as the existing research results and research status of war films on World War II at home and abroad. The first chapter discusses the definition of World War II war film, the development of Hollywood and mainland China war film and the director's creative idea. The second chapter is mainly about the American Hollywood and mainland China World War II war film drama, which is mainly from the film's characters, plot, narrative and theme, respectively. Finally, the American Hollywood and mainland China World War II war film drama were compared and analyzed. The third chapter is mainly about the creation of the visual images of the war film directors of Hollywood and mainland China, from the film art and photography, respectively. Finally, the visual images of American Hollywood and mainland China World War II war films are compared and analyzed. The fourth chapter is mainly about the choice and use of sound by the directors of the war films on the theme of World War II in Hollywood and mainland China, respectively, from the aspects of music and sound. Finally, the American Hollywood and mainland China World War II theme war films sound analysis. The fifth chapter discusses the current situation of war film creation in mainland China, including the achievements and existing problems. Finally, the conclusion discusses the development prospects of war films on World War II in mainland China. The rich historical background has provided powerful material support for the war film creation. Chinese directors must make good use of these materials and constantly improve and explore the creative means of directors in the aspects of film script, visual image and sound. The patriotic spirit, national spirit and heroism embodied by the Chinese people in the war are fully displayed. While bringing the audience a shocking audiovisual feast, they should at the same time arouse people's reflection on the war and make the film ideological. A high degree of unity between artistry and technology.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
本文编号：2156268
[Abstract]:The second World War brought deep disaster and spiritual injury to people all over the world. In the more than 100 years since the film was born, the people's strong, honest, true, good and beautiful side and unity in the war were truly reproduced through images. Perseverance, self-improvement, peace-loving national spirit, and revealing and reflecting on the disasters and evils brought by war have always been the hot themes of the world films. Hollywood and mainland China have their own characteristics in terms of artistic expression and creative techniques. This paper combines the study of film history with the study of image art, and adopts the genre study and comparative study. Text case study and other research methods, through a comparative analysis of American Hollywood and mainland China's World War II war films in terms of script, visual image and sound, enrich and improve the existing creative methods in mainland China. It helps to promote the production concept of Chinese films and the artistic creation of directors, and tries to provide reference for the creation of war films on the theme of World War II in the mainland of China in the future. This paper is divided into five chapters as a whole. In the introduction part, this paper mainly discusses the research background, research significance, research methods, as well as the existing research results and research status of war films on World War II at home and abroad. The first chapter discusses the definition of World War II war film, the development of Hollywood and mainland China war film and the director's creative idea. The second chapter is mainly about the American Hollywood and mainland China World War II war film drama, which is mainly from the film's characters, plot, narrative and theme, respectively. Finally, the American Hollywood and mainland China World War II war film drama were compared and analyzed. The third chapter is mainly about the creation of the visual images of the war film directors of Hollywood and mainland China, from the film art and photography, respectively. Finally, the visual images of American Hollywood and mainland China World War II war films are compared and analyzed. The fourth chapter is mainly about the choice and use of sound by the directors of the war films on the theme of World War II in Hollywood and mainland China, respectively, from the aspects of music and sound. Finally, the American Hollywood and mainland China World War II theme war films sound analysis. The fifth chapter discusses the current situation of war film creation in mainland China, including the achievements and existing problems. Finally, the conclusion discusses the development prospects of war films on World War II in mainland China. The rich historical background has provided powerful material support for the war film creation. Chinese directors must make good use of these materials and constantly improve and explore the creative means of directors in the aspects of film script, visual image and sound. The patriotic spirit, national spirit and heroism embodied by the Chinese people in the war are fully displayed. While bringing the audience a shocking audiovisual feast, they should at the same time arouse people's reflection on the war and make the film ideological. A high degree of unity between artistry and technology.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
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