关于人文类纪录片创作的一些思考

发布时间：2018-08-01 13:26

【摘要】：也许从大的趋势来看,中国影视业即将迎来了纪录片的春天。纪录片在大片崛起和政府政策扶持下,从数量到质量,从央视纪录频道到各大卫视以及观众的培育,出现从未有过的繁荣,特别是人文类纪录片。人文纪录片来自于生活,又不同于真正的生活,它是生活的提炼和聚焦,正是在这个层次上,在并未经历生活本身的前提下,纪录片提供给观众思考审视现实空间的一个摹本,也要求创作者有更清醒的主体意识,更独立的人格和艺术品格。在这样一个背景下,笔者经过一年时间断断续续的拍摄制作,完成了35分钟的人文类纪录片《造船世家》。本文通过,对体制内外人文类纪录片的发展趋势简要分析,总结了笔者大学和研究生期间拍摄纪录片的体会。结合研究生毕业作品《造船世家》的实际创作,从人文关怀的选题意识、非虚构的拍摄原则和故事化的叙事结构,三方面探讨人文类纪录片从选题立意到实际拍摄中可能出现的问题,并提出相应的解决途径。
[Abstract]:Perhaps from the big trend, China's film and television industry is about to usher in the spring of documentaries. With the rise of large films and the support of government policy, from quantity to quality, from CCTV record channel to every big satellite TV and the cultivation of viewers, documentary has never been prosperous, especially humanistic documentary. Humanistic documentary comes from life, and it is different from real life. It is the refining and focusing of life. It is at this level, without experiencing life itself, documentary provides a copy for viewers to reflect and examine the real space. Creators are also required to have a more conscious sense of subject, more independent personality and artistic character. In such a background, after a year of intermittent shooting and production, the author completed a 35-minute humanistic documentary "Shipbuilding Family". Through the brief analysis of the development trend of humanist documentaries inside and outside the system, this paper summarizes the experience of shooting documentaries during the period of university and graduate students. Combining with the practical creation of graduate work Shipbuilding Family, from the consciousness of selecting topics of humanistic concern, the principle of non-fictional shooting and the narrative structure of story, This paper probes into the possible problems in the humanistic documentary from the idea of selecting the topic to the actual shooting, and puts forward the corresponding solutions.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

【相似文献】