电影《紫日》音乐研究
发布时间：2018-08-02 21:20
【摘要】：中国电影自1905年诞生以来已有百余年的历史。与此同时,电影音乐也成为中国近现代音乐史上的一个特有现象。本文对一部电影音乐作品,即产生于21世纪伊始的电影《紫日》音乐进行音乐史学的探索性研究,以求拓宽音乐史学研究视角,丰富中国近现代音乐史料。同时,对电影音乐作品进行理论研究,进而为该领域的创作提供可借鉴的理论依据也是本文的另一初衷。 本文以音乐学分析方法为主,辅以统计、调查和采访等方法,并借鉴民族音乐学研究方法,深入现场了解电影后期声音制作过程,力图做到资料全面详实、见解独到深刻。 全文正文分三章,加绪论和结论共五大部分。第一章对电影《紫日》的题材、剧情、获奖情况、时代背景与影片特色、作曲家生平等进行全面介绍,并对研究中所涉及电影音乐专用术语进行梳理与选定。第二章分情感音乐和气氛音乐两大部分对影片中的原创音乐进行分析,同时对该片音乐的结构类型进行归纳并探析使用此种结构类型的原因。第三章是本文重点,依照电影音乐艺术的特殊性,从音乐与影片叙事的配合、影片音画处理方式、音乐在影片戏剧性结构构建中所起的作用三大方面深入分析《紫日》音乐的创作及使用特点。结论对《紫日》音乐给出客观评价,并给与其在电影音乐史上的合理定位,对产生不足的直接及深层原因进行探析,并对新时期中国电影音乐创作环境及存在的问题做了简要论述。
[Abstract]:Chinese films have a history of more than 100 years since they were born in 1905. At the same time, film music has become a unique phenomenon in the history of modern Chinese music. This paper makes an exploratory study on music history of a movie musical work, that is, "Purple Day" music, which originated at the beginning of the 21st century, in order to broaden the perspective of musicological research and enrich the historical data of Chinese modern music. At the same time, the theoretical study of film music works, and then provide the theoretical basis for the creation of this field is another original intention of this paper. Based on the methods of musicology analysis, statistics, investigation and interview, and drawing lessons from the ethnomusicology research methods, this paper makes a deep understanding of the sound production process of the later stage of the film, and tries to make the materials comprehensive and detailed and original and profound. The text is divided into three chapters, plus introduction and conclusion of five parts. The first chapter gives a comprehensive introduction to the theme, plot, award-winning situation, background and characteristics of the film, life of the composer and so on, and combs and selects the special terms of film music involved in the study. The second chapter is divided into emotional music and atmosphere music to analyze the original music in the film, at the same time, the structure type of the music is summarized and the reason of using this kind of structure type is analyzed. The third chapter is the focus of this paper, according to the particularity of the film music art, from the music and film narrative coordination, film sound painting processing, The role of music in the construction of dramatic structure of the film is analyzed in three aspects. Conclusion the objective evaluation of "Purple Day" music is given, and its reasonable orientation in the history of film music is given, and the direct and deep causes of the deficiency are analyzed. At the same time, this paper briefly discusses the creation environment and existing problems of Chinese film music in the new period.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J617.6
本文编号：2160762
[Abstract]:Chinese films have a history of more than 100 years since they were born in 1905. At the same time, film music has become a unique phenomenon in the history of modern Chinese music. This paper makes an exploratory study on music history of a movie musical work, that is, "Purple Day" music, which originated at the beginning of the 21st century, in order to broaden the perspective of musicological research and enrich the historical data of Chinese modern music. At the same time, the theoretical study of film music works, and then provide the theoretical basis for the creation of this field is another original intention of this paper. Based on the methods of musicology analysis, statistics, investigation and interview, and drawing lessons from the ethnomusicology research methods, this paper makes a deep understanding of the sound production process of the later stage of the film, and tries to make the materials comprehensive and detailed and original and profound. The text is divided into three chapters, plus introduction and conclusion of five parts. The first chapter gives a comprehensive introduction to the theme, plot, award-winning situation, background and characteristics of the film, life of the composer and so on, and combs and selects the special terms of film music involved in the study. The second chapter is divided into emotional music and atmosphere music to analyze the original music in the film, at the same time, the structure type of the music is summarized and the reason of using this kind of structure type is analyzed. The third chapter is the focus of this paper, according to the particularity of the film music art, from the music and film narrative coordination, film sound painting processing, The role of music in the construction of dramatic structure of the film is analyzed in three aspects. Conclusion the objective evaluation of "Purple Day" music is given, and its reasonable orientation in the history of film music is given, and the direct and deep causes of the deficiency are analyzed. At the same time, this paper briefly discusses the creation environment and existing problems of Chinese film music in the new period.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J617.6
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