从文字到影像—莫言小说电影改编研究
发布时间：2018-08-03 12:28
【摘要】：我国首位诺贝尔文学奖得主莫言,一直是电影导演最为热捧的作家。他小说改编成的电影曾在荧屏大显神威,并引发社会各界普遍关注。如今,随着以电影为代表的视觉文化载体对大众流行文化的传播呈不断扩张的趋势,越来越多的电影导演选择将既有的小说文本直接进行电影改编的再创作,而小说写作者也在写作时融合电影剧本的叙述语言。本文通过运用阐释学和叙事学的相关理论,分析了莫言小说中的电影元素,并以其具体改编的电影为例,探讨小说电影改编的美学特质,进一步剖析莫言小说电影改编的影响因素和成败得失。笔者通过五个部分对于莫言小说的电影改编进行了论述。首先简述了莫言小说电影改编的基本情况以及电影改编的特点,综合评述了莫言小说电影改编的研究现状,并在此基础上界定了本文研究的意义和价值；其次着重阐释了在当时影视化大潮的冲击下,莫言小说创作受电影手法的影响出现的影视化倾向,如蒙太奇的结构、戏剧化的情节、镜头化的语言等,共同构成莫言小说叙事中的电影元素；再次重点探讨了,小说和电影作为两种不同的艺术媒介,为实现从文字到影像的审美转换,电影从矛盾冲突、人物形象、审美倾向、叙事特点等方面对小说进行了重新阐释,从不同作品的不同角度分析了莫言小说的电影改编策略。另外,笔者还主要分析了在市场经济大潮中,电影改编者的态度和艺术追求、受众对文本的接受程度以及国内审查制度严格对于电影的影响。同时,莫言小说在电影改编过程中,既有许多成功的地方,又存在着挑战,产生了一些不足之处,成为影响莫言小说改编以及改编的成败得失的关键因素。笔者希望通过本文在进一步剖析小说和电影各自艺术特性的基础上,指明二者各有所长,只有相互借鉴,充分发挥各自长处,才能在文学性和市场化之间保持平衡,并产生良性双向互动,实现互惠双赢。
[Abstract]:Mo Yan, the first Nobel Prize winner in literature in China, has always been the most popular author of film directors. His novel adaptation of the film in the screen, and aroused widespread concern. Nowadays, with the spread of popular culture by the visual culture carrier represented by the film, more and more film directors choose to re-create the existing novel text directly. And the writer of the novel also fuses the narrative language of the movie script when writing. Based on the relevant theories of hermeneutics and narratology, this paper analyzes the film elements in Mo Yan's novels, and discusses the aesthetic characteristics of the adaptation of the novel film by taking the specific adaptation of the film as an example. Further analysis of Mo Yan's novel film adaptation of the factors and success or failure. The author discusses the adaptation of Mo Yan's novels in five parts. First of all, this paper briefly introduces the basic situation of Moyan's novel film adaptation and the characteristics of the film adaptation, and comprehensively comments on the research status of Mo Yan's novel film adaptation, and on this basis defines the significance and value of this study. Secondly, it explains the movie-oriented tendency of Mo Yan's novel creation influenced by the movie-style, such as montage structure, dramatic plot, shot language and so on, under the impact of the tide of film and television at that time. Once again, it is discussed that novel and film are two different artistic media, in order to realize the aesthetic transformation from text to image, film from conflict, character image, aesthetic tendency. The narrative characteristics and other aspects of the novel are reinterpreted, and the adaptation strategies of Mo Yan's novel are analyzed from different perspectives. In addition, the author mainly analyzes the influence of the film editors' attitude and artistic pursuit, the audience's acceptance of the text and the domestic censorship system on the film in the tide of market economy. At the same time, Mo Yan's novels in the process of film adaptation, there are many successes, but also challenges, has produced some deficiencies, become the key factors affecting the success or failure of Mo Yan's novel adaptation and the success or failure of adaptation. The author hopes that on the basis of further analysis of the respective artistic characteristics of novels and films, the author points out that each of them has its own strong points. Only by drawing lessons from each other and giving full play to their respective strengths, can they maintain a balance between literariness and marketization. And produces the benign two-way interaction, realizes mutually beneficial win-win.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42;J905
本文编号：2161753
[Abstract]:Mo Yan, the first Nobel Prize winner in literature in China, has always been the most popular author of film directors. His novel adaptation of the film in the screen, and aroused widespread concern. Nowadays, with the spread of popular culture by the visual culture carrier represented by the film, more and more film directors choose to re-create the existing novel text directly. And the writer of the novel also fuses the narrative language of the movie script when writing. Based on the relevant theories of hermeneutics and narratology, this paper analyzes the film elements in Mo Yan's novels, and discusses the aesthetic characteristics of the adaptation of the novel film by taking the specific adaptation of the film as an example. Further analysis of Mo Yan's novel film adaptation of the factors and success or failure. The author discusses the adaptation of Mo Yan's novels in five parts. First of all, this paper briefly introduces the basic situation of Moyan's novel film adaptation and the characteristics of the film adaptation, and comprehensively comments on the research status of Mo Yan's novel film adaptation, and on this basis defines the significance and value of this study. Secondly, it explains the movie-oriented tendency of Mo Yan's novel creation influenced by the movie-style, such as montage structure, dramatic plot, shot language and so on, under the impact of the tide of film and television at that time. Once again, it is discussed that novel and film are two different artistic media, in order to realize the aesthetic transformation from text to image, film from conflict, character image, aesthetic tendency. The narrative characteristics and other aspects of the novel are reinterpreted, and the adaptation strategies of Mo Yan's novel are analyzed from different perspectives. In addition, the author mainly analyzes the influence of the film editors' attitude and artistic pursuit, the audience's acceptance of the text and the domestic censorship system on the film in the tide of market economy. At the same time, Mo Yan's novels in the process of film adaptation, there are many successes, but also challenges, has produced some deficiencies, become the key factors affecting the success or failure of Mo Yan's novel adaptation and the success or failure of adaptation. The author hopes that on the basis of further analysis of the respective artistic characteristics of novels and films, the author points out that each of them has its own strong points. Only by drawing lessons from each other and giving full play to their respective strengths, can they maintain a balance between literariness and marketization. And produces the benign two-way interaction, realizes mutually beneficial win-win.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I207.42;J905
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