中国水墨动画《山水情》的创作特色研究
发布时间：2018-08-06 16:43
【摘要】：1988年完成的水墨动画《山水情》是继《小蝌蚪找妈妈》(1960年)、《牧笛》(1963年)和《鹿铃》(1982年)之后的最后一部由上海美术电影制片厂创作的水墨动画。回溯上世纪六十年代初到八十年代末,一批杰出的画家、音乐家、动画艺术家们在中国传统水墨绘画与中国影视动画的艺术基础上,携手创造出了一个富有独特艺术魅力和中国韵味的全新动画片种——中国水墨动画。与此同时,水墨动画的诞生也震惊了国际动画界,人们无不为其独具特色的表现形式和深厚的文化底蕴拍案叫绝,但是自九十年代以后,水墨动画却由于制作成本高、周期长等多种原因而一度处于停滞状态。本文的研究对象《山水情》创作时间最晚,且在水墨动画艺术方面的造诣相比前三部水墨动画来说更加成熟,故被后人赞誉为中国水墨动画的巅峰之作。所以笔者以为,《山水情》也是非常具有研究价值和意义的。本文以当年水墨动画《山水情》主创人员的历史回忆为线索和依据,并结合中国传统水墨文化,从动画创作中的艺术表现和内涵体现入手,逐一对水墨动画《山水情》创作中的故事题材、视觉表现、音乐表现及意境内涵等几个重要方面展开研究和论述,从而归纳总结出《山水情》创作中的特色所在。最后,在文章结尾部分,笔者又根据以上研究对中国水墨动画所面临的现实问题和未来的发展前景做出了思考与展望,希望本文的研究能够促使更多的动画爱好者们对中国早期经典动画作品的创作特色进行更加深入的探索和挖掘。
[Abstract]:The painting animation "Mountain and Water situation" completed in 1988 is the last one created by Shanghai Fine Arts Film Studio after "Little tadpole looking for Mother" (1960), "Shedi" (1963) and "Deer Bell" (1982). Dating back to the early 1960s to the end of the 1980s, a group of outstanding painters, musicians, and animation artists based on the art of Chinese traditional ink painting and Chinese film and television animation. Hand in hand to create a unique artistic charm and Chinese charm of a new animation-Chinese ink animation. At the same time, the birth of ink and wash animation has shocked the international motion painting world, and people are all amazed by its unique forms of expression and profound cultural background. But since the 1990s, ink and water animation has been produced at a high cost. Long period and other reasons and once in a state of stagnation. The research object of this paper is "Mountain and Water situation", which is the latest creation time and more mature than the first three ink and water animations, so it has been praised as the peak of Chinese ink animation by later generations. Therefore, the author thinks that the landscape is also of great value and significance. Based on the historical recollection of the creators of the ink and water animation, and combining with the traditional Chinese ink culture, this paper starts with the artistic expression and connotation embodiment in the animation creation. This paper studies and discusses several important aspects, such as story theme, visual expression, music expression and artistic conception connotation in the creation of ink and water animation, and sums up the characteristics in the creation of "Mountain and Water situation". Finally, at the end of the article, the author makes some thoughts and prospects on the realistic problems and future development prospects of Chinese ink and wash animation based on the above research. It is hoped that the research in this paper can promote more animators to explore and excavate the creative features of Chinese early classic animation works.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J218.7
本文编号：2168334
[Abstract]:The painting animation "Mountain and Water situation" completed in 1988 is the last one created by Shanghai Fine Arts Film Studio after "Little tadpole looking for Mother" (1960), "Shedi" (1963) and "Deer Bell" (1982). Dating back to the early 1960s to the end of the 1980s, a group of outstanding painters, musicians, and animation artists based on the art of Chinese traditional ink painting and Chinese film and television animation. Hand in hand to create a unique artistic charm and Chinese charm of a new animation-Chinese ink animation. At the same time, the birth of ink and wash animation has shocked the international motion painting world, and people are all amazed by its unique forms of expression and profound cultural background. But since the 1990s, ink and water animation has been produced at a high cost. Long period and other reasons and once in a state of stagnation. The research object of this paper is "Mountain and Water situation", which is the latest creation time and more mature than the first three ink and water animations, so it has been praised as the peak of Chinese ink animation by later generations. Therefore, the author thinks that the landscape is also of great value and significance. Based on the historical recollection of the creators of the ink and water animation, and combining with the traditional Chinese ink culture, this paper starts with the artistic expression and connotation embodiment in the animation creation. This paper studies and discusses several important aspects, such as story theme, visual expression, music expression and artistic conception connotation in the creation of ink and water animation, and sums up the characteristics in the creation of "Mountain and Water situation". Finally, at the end of the article, the author makes some thoughts and prospects on the realistic problems and future development prospects of Chinese ink and wash animation based on the above research. It is hoped that the research in this paper can promote more animators to explore and excavate the creative features of Chinese early classic animation works.
【学位授予单位】：杭州师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;J218.7
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