大国意志、主流价值与商业精神——电影《湄公河行动》对主旋律电影创作的启示
发布时间：2018-08-09 16:47
【摘要】：在主旋律电影的发展历程中,以明星化包装完成民族国家正义性表达的《建国大业》曾经是不可逾越的标杆,但《湄公河行动》以良好的口碑和近12亿元的票房完成了全面超越。2016年国庆档期受到《爵迹》和《从你的全世界路过》压制,原本不被市场看好的《湄公河行动》之所以能够实现反超,原因在于把“主旋律”电影的精神诉求与警匪片的类型特征通过“沉冤昭雪”这种主流价值观的过渡实现了完美融合。未来如果能从观念与体制上解决“主旋律”电影与商业电影的融合问题,有可能逐步形成一种体现大国气质、类型特征鲜明又与中国社会现实高度关联的主流市场类型。
[Abstract]:In the course of the development of the main melody film, the "Founding of the Nation", expressed in the form of star-oriented packaging, was once an insurmountable benchmark. But with good reputation and nearly 1.2 billion yuan at the box office, the Mekong Project has been completely surpassed. The 2016 National Day period was suppressed by "Marquis" and "passing through your World". The reason that the Mekong Initiative, which had not been expected by the market, was able to achieve reverse surpassing, The reason is that the spiritual appeal of the main theme film and the type characteristics of the police and bandit films are perfectly integrated through the transition of the mainstream values of "redress for grievances". In the future, if we can solve the problem of the fusion of "theme" film and commercial film from the perspective of concept and system, it is possible to gradually form a mainstream market type which embodies the temperament of a great country, has a distinctive type and is highly related to the reality of Chinese society.
【作者单位】： 北京师范大学艺术与传媒学院;
[Abstract]:In the course of the development of the main melody film, the "Founding of the Nation", expressed in the form of star-oriented packaging, was once an insurmountable benchmark. But with good reputation and nearly 1.2 billion yuan at the box office, the Mekong Project has been completely surpassed. The 2016 National Day period was suppressed by "Marquis" and "passing through your World". The reason that the Mekong Initiative, which had not been expected by the market, was able to achieve reverse surpassing, The reason is that the spiritual appeal of the main theme film and the type characteristics of the police and bandit films are perfectly integrated through the transition of the mainstream values of "redress for grievances". In the future, if we can solve the problem of the fusion of "theme" film and commercial film from the perspective of concept and system, it is possible to gradually form a mainstream market type which embodies the temperament of a great country, has a distinctive type and is highly related to the reality of Chinese society.
【作者单位】： 北京师范大学艺术与传媒学院;
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