《卧虎藏龙2:青冥宝剑》的视觉空间构造

发布时间：2018-08-11 21:11

【摘要】：《卧虎藏龙》的续集作品《卧虎藏龙2:青冥宝剑》是一次彻底的商业武侠电影创作,在李安执导的《卧虎藏龙》的光环之下,却背离了上一部作品的审美模式,以更为彻底的西方审美视角打造了东方江湖风云。失去了与导演李安前作的观众粘连性,电影《卧虎藏龙2:青冥宝剑》却呈现出更加可圈可点的美学创作特征,尤其在视觉空间的构造方面独具特色。本文从该片的视觉空间构造入手,细致而深入地分析这部电影的美学思想与风格特色。
[Abstract]:The sequel to "Crouching Tiger, Hidden Dragon" < Crouching Tiger and Hidden Dragon 2: the Cymson Sword > is a thorough commercial martial arts film creation. Under the aura of Lee'an 's "Crouching Tiger, Hidden Dragon", however, it deviates from the aesthetic model of the previous work. With a more thorough western aesthetic perspective to create the eastern rivers and lakes. The film Crouching Tiger, Hidden Dragon 2: Qing Ming Bao Jian presents more remarkable aesthetic creative features, especially in the construction of visual space. Starting with the visual space structure of the film, this paper analyzes the aesthetic thought and style of the film in detail and deeply.
【作者单位】：吉林建筑大学;

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