中国新兴古装剧女性形象的影像意义探究
发布时间：2018-08-13 15:13
【摘要】：2010年以来,以《美人心计》为发端,在我国的电视剧市场热播起《步步惊心》、《宫锁心玉》等收视颇高的穿越剧，而《后宫：甄[传》掀起了新兴古装剧的高潮。新兴古装剧的迅速兴起和传播引起了社会各界的广泛讨论，本文主要以新兴古装剧的女性形象为切入点，探寻影像背后的深层意义。 文章中共分为三个部分，首先在第一章对我国新兴的古装剧中的女性形象进行了梳理分类，并把其归结为四大类型，通过对新兴古装剧中典型的女性形象的性格进行分析，深化了新兴古装剧女性形象的类型化特征，并且从剧中男性形象的角度来侧面展示女性形象在剧中的主体地位。在第二章从三方面分析了我国新兴古装剧女性形象形成的原因：现实社会的文化熏陶是这类新兴古装剧首要的生长土壤，受众的心理满足是这一类型电视剧发展的必要条件，电视制作方的资金投入和编剧的努力都促成了它的繁荣。通过对原因的深入分析，在第三章阐释它所蕴含的现实意义。影像的符号化功能使得电视剧除了本身呈现给受众的故事之外，，还能够引发联想和思考，使得艺术与生活紧密相连，通过艺术可以来映射现实生活。
[Abstract]:Since 2010, with the beginning of "Beauty's mind", the TV series "step by step" and "Palace lock heart jade" have become popular in the TV drama market of our country. However, "Hougong: Zhan Zhuan" has set off the climax of the new ancient costume drama. The rapid rise and spread of the new ancient costume drama has caused extensive discussion in the society. This article mainly takes the female image of the new ancient costume drama as the breakthrough point to explore the deep meaning behind the image. The article is divided into three parts. Firstly, in the first chapter, the author sorts the female images in the new ancient costume dramas of our country, and classifies them into four types, and analyzes the characters of the typical female characters in the new ancient costume dramas. It deepens the typological features of the female images of the new costume dramas, and displays the main position of the female images in the drama from the angle of the male images in the dramas. In the second chapter, the author analyzes the reasons for the formation of the female image of the new ancient costume drama in China from three aspects: the cultural edification of the real society is the primary growth soil of this kind of new ancient costume drama, and the psychological satisfaction of the audience is the necessary condition for the development of this type of TV drama. The money invested by the television producers and the efforts of the writers contributed to its prosperity. Through the deep analysis of the reasons, the third chapter explains the practical significance of it. The symbolic function of images makes TV dramas, in addition to the stories presented to the audience themselves, can also lead to association and thinking, so that art and life are closely linked, through which the real life can be mapped.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2181359
[Abstract]:Since 2010, with the beginning of "Beauty's mind", the TV series "step by step" and "Palace lock heart jade" have become popular in the TV drama market of our country. However, "Hougong: Zhan Zhuan" has set off the climax of the new ancient costume drama. The rapid rise and spread of the new ancient costume drama has caused extensive discussion in the society. This article mainly takes the female image of the new ancient costume drama as the breakthrough point to explore the deep meaning behind the image. The article is divided into three parts. Firstly, in the first chapter, the author sorts the female images in the new ancient costume dramas of our country, and classifies them into four types, and analyzes the characters of the typical female characters in the new ancient costume dramas. It deepens the typological features of the female images of the new costume dramas, and displays the main position of the female images in the drama from the angle of the male images in the dramas. In the second chapter, the author analyzes the reasons for the formation of the female image of the new ancient costume drama in China from three aspects: the cultural edification of the real society is the primary growth soil of this kind of new ancient costume drama, and the psychological satisfaction of the audience is the necessary condition for the development of this type of TV drama. The money invested by the television producers and the efforts of the writers contributed to its prosperity. Through the deep analysis of the reasons, the third chapter explains the practical significance of it. The symbolic function of images makes TV dramas, in addition to the stories presented to the audience themselves, can also lead to association and thinking, so that art and life are closely linked, through which the real life can be mapped.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前10条
1 苏秀勤;她们的世界朝霞满天——当代电视剧中女性形象塑造的文化思考[J];当代电视;2002年10期
2 王昕;中国历史题材电视剧的类型与美学精神[J];当代电影;2005年02期
3 杨矗;;虚拟化的都市文化批判[J];太原师范学院学报(社会科学版);2010年02期
4 薛莉;;论《大明宫词》中唐代女性唯美的表现与人物形象塑造[J];电影文学;2010年07期
5 徐茜;;穿越剧的受众心理分析[J];电影评介;2012年11期
6 尹红晓;;“穿越剧”的文化解读——以《步步惊心》为例[J];电影评介;2012年16期
7 巨虹;;红脸可知珠泪频:《神雕侠侣》中的女性形象解读[J];兰州教育学院学报;2011年02期
8 南野;;电视:影像重述的世界[J];美育学刊;2011年01期
9 郭培筠;男性权威话语情境下的女性被述──论谢晋影片中的女性形象[J];内蒙古师大学报(哲学社会科学版);1997年01期
10 高雪;;从传统文化看《京华烟云》的女性形象[J];剑南文学(经典教苑);2011年05期
相关重要报纸文章 前1条
1 王广飞;[N];人民日报;2012年
本文编号：2181359
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2181359.html
