西方纪实理念对中国纪录片创作影响之研究

发布时间：2018-08-15 17:27

【摘要】：我国的纪录片的产生比西方发达国家晚了很多年。因此,纪录片创作的流派和风格不可避免的与国外的纪录片流派具有千丝万缕的联系。西方纪录片的发展经历了无声电影、格里尔逊式电影、直接电影真实电影以及新纪录电影这几个不同阶段。每一阶段的纪录片理念都相应的对中国纪录片发展产生影响。回溯中国纪录片,从早期苏联式的形象化政论纪录片,到格里尔逊式画面加解说纪录片,再到后来的专题片,以及受美国直接电影和法国真实电影影响的新纪录片等,无一不与西方的纪录片理念相勾连。本论题拟在此背景基础上,主要从中国纪录片真正发展的50年代开始切入,一直到纪录片融入人们日常生活的今天,在历史的关照和对比中,更加深刻的体会西方纪录片理念在中国不同时期产生的影响。本文的研究主要有以下几个方面：首先,在对西方纪录片发展的脉络梳理清晰的基础之上,研究西方纪录片理念的发展路径,并探讨西方纪录片理念在中国引入、传播、接受的过程。其次,围绕西方纪录片观念与中国纪录片发展变迁之间的关系,对西方纪录片观念对中国纪录片的影响进行具体而深入的分析。最后,立足于当下中国纪录片存在和发展的大环境,在详细阐述西方纪录片观念对我国纪录片不同时期的影响之后,对格里尔逊式进行再审视、对直接电影纪录理念进行反思,对新纪录片电影进行完整的认识和评价。通过以上问题的展开与探讨以期展现出一个西方纪录观念对中国纪录片创作影响的清晰轮廓,为中国纪录片研究提供了一个独特、具有可操作性的研究路径和实践参考,以助于我们透过纷繁复杂的表象来把握中国纪录片发展的深层规律,进而有助于纪录片创作者更好的把握好纪录片的内涵,更好的推动我国纪录片的在实践创作中更加完善。
[Abstract]:The production of documentary film in our country is many years later than that in western developed countries. Therefore, the genre and style of documentary creation are inextricably linked with foreign documentary schools. The development of western documentaries has gone through different stages, such as silent film, Grierson film, direct film, real film and new record film. Each stage of the concept of documentary has a corresponding impact on the development of Chinese documentaries. Looking back at Chinese documentaries, from the early Soviet-style visualized political documentaries, to the Grieson-style screen plus commentary documentaries, to the later feature films, as well as to the new documentaries influenced by American direct films and French real films, and so on. All are associated with the idea of western documentaries. On the basis of this background, this thesis mainly starts from the real development of Chinese documentaries in the 1950s, until today, when documentaries are integrated into people's daily life, in the historical care and comparison. A more profound understanding of the Western documentary concept in China at different times of influence. The research of this paper mainly includes the following aspects: firstly, on the basis of combing the development of western documentaries, this paper studies the development path of western documentary ideas, and probes into the introduction and dissemination of western documentary ideas in China. The process of acceptance. Secondly, focusing on the relationship between the concept of western documentary and the development and change of Chinese documentary, this paper makes a concrete and in-depth analysis of the influence of western documentary concept on Chinese documentary. Finally, based on the existing and developing environment of Chinese documentaries, after expounding in detail the influence of western documentary concepts on the different periods of Chinese documentaries, the author reexamines the Grieson style and reflects on the concept of direct film records. A complete understanding and evaluation of the new documentary film. Through the development and discussion of the above questions, the author hopes to show a clear outline of the influence of western documentary concept on the creation of Chinese documentaries, which provides a unique and operable research path and practical reference for the study of Chinese documentaries. In order to help us through the complex appearance to grasp the deep laws of the development of Chinese documentaries, and then help the documentary creators better grasp the connotation of documentary, better promote our documentary in the practice of more perfect.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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