动画片分镜的应用研究

发布时间：2018-08-17 18:46

【摘要】：分镜头设计是一门正在兴起的学科，因为其在动画制作方面波及范围广，，包容性强，吸引了越来越多的动画设计师投身到界面设计中进行创作。在这种态势下越来越多种类和数量的动画作品不断涌现，其中不乏一些实验性和概念性的作品。目前的一些研究还是偏重于动画分镜头绘制的技术性，对动画分镜设计艺术层面的理论考察和与实践相结合的实验性探索方面还有欠缺，针对于此，本文讲述了动画类别、特征，诞生以来的发展演变，并从应用范畴入手，结合优秀的动画片实例，对动画分镜头进行多层面、多角度的分析和探微。全文共分为五个章节。第一章动画分镜头的概述。本章分析了动画的分类，按着具体分类不同分镜头设计的具体要求也是不同的。第二章动画分镜的设计原理。在这一章节中，详细剖析了镜头内部、外部构造，分析镜头的构成以及镜头的组成元素，解读出镜头的设计原理。第三章动画镜头画面的组接。在本章节中详细分析了镜头与镜头之间的组合方式，在不同的情况下镜头之间的微妙关系，并对在影片中的应用进行了阐述。第四章蒙太奇的概念与应用。在这一章节中，对蒙太奇的概念、句式、文法、构成方式进行了阐述，对动画影片制作起到抛砖引玉的作用。以及蒙太奇对影片制作者形成自己的风格有极大的作用。第五章转场方式分析。在动画作品的段落上如何巧妙地衔接是十分重要的，如何使影片流畅的转场是动画作品不可缺少的重要环节。本章就这一问题进行了详细的说明。
[Abstract]:Split lens design is an emerging subject because of its wide range and inclusiveness in animation production, attracting more and more animation designers to devote themselves to interface design. In this situation, more and more kinds and quantities of animated works are emerging, including some experimental and conceptual works. At present, some researches are still focused on the technology of animation sub-lens drawing, and there are still some deficiencies in the theoretical investigation and experimental exploration of the art level of animation sub-mirror design and the combination of practice. In view of this, this paper describes the animation category. Characteristics, development and evolution since the birth of animation, and from the application of the category, combined with excellent animation examples, multi-level, multi-angle analysis and exploration of animation lens. The full text is divided into five chapters. The first chapter is an overview of animation. This chapter analyzes the classification of animation, according to the specific classification of different sub-lens design requirements are different. The second chapter is the design principle of animation split mirror. In this chapter, the interior and exterior structure of the lens are analyzed in detail, the composition of the lens and the elements of the lens are analyzed, and the design principle of the lens is explained. The third chapter is the group connection of the animation shot picture. In this chapter, the combination between the lens and the lens, the subtle relationship between the lens under different circumstances, and the application in the film are discussed in detail. The fourth chapter is the concept and application of montage. In this chapter, the concept, sentence structure, grammar and composition of montage are expounded. And montage has a great effect on the film makers to form their own style. The fifth chapter analyzes the mode of rotation. It is very important to link up the paragraphs of the animation works skillfully, and how to make the film turn smoothly is an indispensable important link of the animation works. This chapter gives a detailed account of the problem.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

【共引文献】