试论左翼电影中的知识分子形象
发布时间：2018-08-19 16:52
【摘要】：本文是对二十世纪三十年代左翼电影中知识分子形象的考察和研究。 知识分子形象是左翼电影的有机组成部分。它的出现与发展是左翼电影人物形象塑造中不可磨灭的一笔，更使左翼电影塑造的典型更加丰富饱满。 左翼电影作为注重意识形态的艺术，以反帝反封建的姿态，关注民族救亡、社会前景、现实改造，担负着启蒙社会的历史使命。在电影中的知识分子形象更是下足功夫诠释当时知识分子的生存境遇与奋斗精神。 本文的意图就是在探析左翼电影运动的社会历史文化语境、客观系统地分析其发生的历史契机的条件下，对左翼电影中的知识分子形象作系统、全面的透彻研究，包括它们的主要分类、价值判断与思想渊源以及它们的社会影响和对当下的借鉴意义等。 本文将从五个部分对左翼电影中的知识分子形象进行深入细致的分析和解读。 第一部分从知识分子的形成、左翼电影运动的发生及左翼电影中知识分子形象的审美特征做整体分析，论述左翼电影和左翼电影中知识分子形象的创作。上海文化的融汇中西、包罗万象，给予了左翼电影的发展空间。而“九?一八”、“一?二八”事变的发生，又促使了民族救亡和启蒙成为国人的迫切需求。由此为契机，左翼电影人士进入电影界，，推动左翼电影运动的发展，使1930年代的电影达到了高峰。 第二部分系统地分析左翼电影中涉及到的知识分子形象，并进行了分类：一是坚定的革命进步知识分子形象，二是历经磨难逐渐成长的知识分子形象，三是饱受黑暗社会侵蚀的知识分子形象。 第三部分分析研究左翼电影中知识分子形象的思想依据：一是无产阶级革命思想的影响，二是立足都市的现代知识分子建设社会的情怀，三是中国传统知识分子“以天下为己任”的思想。 第四部分系统分析左翼电影中知识分子形象的社会意义：一是对现代知识分子的诉求，二是对构建先进电影文化的借鉴，三是对提高现代公民意思的引导。 第五部分总结左翼电影在中国电影史在的历史地位，并客观分析其优缺点。 只有深入地了解历史、客观系统地分析历史，立足当下，展望未来，才是一切历史文化研究的根本目的，也是本文的内在的根本目的。
[Abstract]:This paper is an investigation and research on the image of intellectuals in the left-wing films of the 1930 s. Intellectual image is an organic part of left-wing film. Its appearance and development is an indelible stroke in the portrayal of the characters of the left wing films, and makes the models of the left wing films more abundant and full. As the art of paying attention to ideology, left-wing films pay attention to national salvation, social prospect and realistic transformation with the attitude of anti-imperialist and anti-feudalism, and shoulder the historical mission of enlightening society. The image of intellectuals in the film is devoted to explaining the living conditions and fighting spirit of intellectuals at that time. The intention of this paper is to make a systematic and thorough study on the image of intellectuals in left-wing films under the condition of analyzing the social historical and cultural context of the left-wing film movement, and objectively and systematically analyzing the historical opportunity of its occurrence. It includes their main classification, value judgment and thought origin, their social influence and their reference significance to the present. This paper analyzes and interprets the image of intellectuals in left-wing films from five parts. The first part makes a whole analysis from the formation of intellectuals, the occurrence of left-wing film movement and the aesthetic characteristics of intellectual image in left-wing film, and discusses the creation of intellectual image in left-wing film and left-wing film. The fusion of Chinese and Western culture in Shanghai, all-inclusive, gave the left-wing film development space. And "Nine? One eight, one? The incident of 28 th made national salvation and enlightenment an urgent need. As an opportunity, left-wing filmmakers entered the film industry, promoted the development of left-wing film movement, and reached a peak in the 1930 s. The second part systematically analyzes the image of intellectuals involved in left-wing films, and classifies them as follows: first, the image of intellectuals who are firmly revolutionary and progressive, and second, the image of intellectuals who have gradually grown up after suffering, Third, the image of intellectuals eroded by the dark society. The third part analyzes the ideological basis of the image of intellectuals in left-wing films: first, the influence of proletarian revolutionary thought, and second, the feelings of modern intellectuals based on the city to build a society. Third, the Chinese traditional intellectuals' thought of "taking the world as their duty". The fourth part systematically analyzes the social significance of the image of intellectuals in left-wing films: first, the demands of modern intellectuals, the second is the reference to the construction of advanced film culture, and the third is the guidance to improve the meaning of modern citizens. The fifth part summarizes the historical position of left-wing film in the history of Chinese film, and objectively analyzes its advantages and disadvantages. Only by deeply understanding history, analyzing history objectively and systematically, based on the present and looking forward to the future, is the fundamental purpose of all historical and cultural studies, and also the intrinsic fundamental purpose of this paper.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
[Abstract]:This paper is an investigation and research on the image of intellectuals in the left-wing films of the 1930 s. Intellectual image is an organic part of left-wing film. Its appearance and development is an indelible stroke in the portrayal of the characters of the left wing films, and makes the models of the left wing films more abundant and full. As the art of paying attention to ideology, left-wing films pay attention to national salvation, social prospect and realistic transformation with the attitude of anti-imperialist and anti-feudalism, and shoulder the historical mission of enlightening society. The image of intellectuals in the film is devoted to explaining the living conditions and fighting spirit of intellectuals at that time. The intention of this paper is to make a systematic and thorough study on the image of intellectuals in left-wing films under the condition of analyzing the social historical and cultural context of the left-wing film movement, and objectively and systematically analyzing the historical opportunity of its occurrence. It includes their main classification, value judgment and thought origin, their social influence and their reference significance to the present. This paper analyzes and interprets the image of intellectuals in left-wing films from five parts. The first part makes a whole analysis from the formation of intellectuals, the occurrence of left-wing film movement and the aesthetic characteristics of intellectual image in left-wing film, and discusses the creation of intellectual image in left-wing film and left-wing film. The fusion of Chinese and Western culture in Shanghai, all-inclusive, gave the left-wing film development space. And "Nine? One eight, one? The incident of 28 th made national salvation and enlightenment an urgent need. As an opportunity, left-wing filmmakers entered the film industry, promoted the development of left-wing film movement, and reached a peak in the 1930 s. The second part systematically analyzes the image of intellectuals involved in left-wing films, and classifies them as follows: first, the image of intellectuals who are firmly revolutionary and progressive, and second, the image of intellectuals who have gradually grown up after suffering, Third, the image of intellectuals eroded by the dark society. The third part analyzes the ideological basis of the image of intellectuals in left-wing films: first, the influence of proletarian revolutionary thought, and second, the feelings of modern intellectuals based on the city to build a society. Third, the Chinese traditional intellectuals' thought of "taking the world as their duty". The fourth part systematically analyzes the social significance of the image of intellectuals in left-wing films: first, the demands of modern intellectuals, the second is the reference to the construction of advanced film culture, and the third is the guidance to improve the meaning of modern citizens. The fifth part summarizes the historical position of left-wing film in the history of Chinese film, and objectively analyzes its advantages and disadvantages. Only by deeply understanding history, analyzing history objectively and systematically, based on the present and looking forward to the future, is the fundamental purpose of all historical and cultural studies, and also the intrinsic fundamental purpose of this paper.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前10条
1 钟惦h
本文编号：2192251
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