苏联电影在中国的传播与接受（1950-1960）
发布时间：2018-08-20 13:21
【摘要】：1949年中华人民共和国建立之后,共产党迫切需要在大陆开展一场社会主义新文化建设运动,进行意识形态整合,掌握文化领导权。苏联作为社会主义阵营的“老大哥”,其先进的社会主义文化自然成为新中国学习和效仿的对象。而在众多的文化形式中,电影以它的大众化、通俗性、易于复制和推广在培养人民的社会主义认同感、建构民族想象的过程中发挥着更重大的作用。为此,学习苏联电影成为国家层面的策略和行动。在这个总体的框架下,苏联电影在中国的传播便呈现出复杂的图景,它与中国的国内政策、地缘政治特别是新中国国家形象的确立产生多重的关联。 1950-1960年是中苏关系总体交好的十年,这期间大量的苏联电影被引进和放映。斯大林时期的经典电影对于革命战争历史的叙述、对于社会主义和共产主义的想象,符合了新中国对革命战争性质的认识、对新型社会主义文化的设想,因此在新中国产生了积极的影响,并且这种积极影响蔓延到流行文化中。而苏联的“解冻电影”尤其是新战争片的人道主义思想,与新中国文化中对革命性的强调、对个人主义的批判相悖,而遭遇认同危机。与此同时,新中国展开了对电影民族性的探索。
[Abstract]:After the founding of the people's Republic of China in 1949, the Communist Party urgently needed to carry out a socialist new cultural construction movement in the mainland, carry out ideological integration and grasp the cultural leadership. As the Big Brother of the socialist camp, the Soviet Union's advanced socialist culture naturally became the object of study and emulation in New China. In many cultural forms, film plays a more important role in the process of cultivating people's socialist identity and constructing national imagination because of its popularity and popularity. To this end, learning from the Soviet film has become a strategy and action at the national level. Under this overall framework, the spread of Soviet films in China presents a complex picture, which is related to China's domestic policy. Geopolitics, especially the establishment of the national image of New China, had many connections. 1950-1960 was a decade of overall friendship between China and the Soviet Union, during which a large number of Soviet films were introduced and shown. The narration of the history of the revolutionary war and the imagination of socialism and communism in the classic films of Stalin period accord with the new China's understanding of the nature of the revolutionary war and the vision of the new socialist culture. Therefore, in the new China had a positive impact, and this positive impact spread to popular culture. The Soviet Union's "thawing film", especially the humanitarianism of the new war film, ran counter to the emphasis on revolution and the criticism of individualism in the new Chinese culture, and encountered a crisis of identity. At the same time, the new China began to explore the national character of the film.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.1
本文编号：2193764
[Abstract]:After the founding of the people's Republic of China in 1949, the Communist Party urgently needed to carry out a socialist new cultural construction movement in the mainland, carry out ideological integration and grasp the cultural leadership. As the Big Brother of the socialist camp, the Soviet Union's advanced socialist culture naturally became the object of study and emulation in New China. In many cultural forms, film plays a more important role in the process of cultivating people's socialist identity and constructing national imagination because of its popularity and popularity. To this end, learning from the Soviet film has become a strategy and action at the national level. Under this overall framework, the spread of Soviet films in China presents a complex picture, which is related to China's domestic policy. Geopolitics, especially the establishment of the national image of New China, had many connections. 1950-1960 was a decade of overall friendship between China and the Soviet Union, during which a large number of Soviet films were introduced and shown. The narration of the history of the revolutionary war and the imagination of socialism and communism in the classic films of Stalin period accord with the new China's understanding of the nature of the revolutionary war and the vision of the new socialist culture. Therefore, in the new China had a positive impact, and this positive impact spread to popular culture. The Soviet Union's "thawing film", especially the humanitarianism of the new war film, ran counter to the emphasis on revolution and the criticism of individualism in the new Chinese culture, and encountered a crisis of identity. At the same time, the new China began to explore the national character of the film.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J909.1
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