奇幻的文化坐标
发布时间:2018-08-21 07:54
【摘要】:奇幻消费由来已久,至今我们仍在银幕、书籍或网络平台上重温着古老传奇及其变体。技术创新为视觉奇观带来了更多可能性,但往往也使人们忽略了奇幻生产的社会性。本文从新世纪初科幻与奇幻流行程度的此消彼长入手,归纳奇幻相异于科幻的本质特征。笔者认为,奇幻复兴呼应着当代人关注的几大焦点,即他者、科技与自然。以此为出发点,文章勾勒了奇幻在当代社会的文化坐标。
[Abstract]:Fantasy consumption has a long history, we are still on the screen, books or network platform to relive the ancient legend and its variants. Technological innovation brings more possibilities for visual wonders, but it often makes people ignore the sociality of fantasy production. Starting from the rise and fall of the popularity of science fiction and fantasy at the beginning of the new century, this paper concludes that fantasy is different from science fiction in its essential characteristics. The author thinks that the magic renaissance echoes the focal points of contemporary people, that is, others, science and technology and nature. As a starting point, the article outlines the cultural coordinates of fantasy in contemporary society.
【作者单位】: 中国社会科学院;
【分类号】:J905
本文编号:2195054
[Abstract]:Fantasy consumption has a long history, we are still on the screen, books or network platform to relive the ancient legend and its variants. Technological innovation brings more possibilities for visual wonders, but it often makes people ignore the sociality of fantasy production. Starting from the rise and fall of the popularity of science fiction and fantasy at the beginning of the new century, this paper concludes that fantasy is different from science fiction in its essential characteristics. The author thinks that the magic renaissance echoes the focal points of contemporary people, that is, others, science and technology and nature. As a starting point, the article outlines the cultural coordinates of fantasy in contemporary society.
【作者单位】: 中国社会科学院;
【分类号】:J905
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