“大时代”的崇高叙事与英雄形象的视觉建构
发布时间：2018-08-23 08:59
【摘要】：在当代中国社会转型的宏观层面,凸显"大时代"崇高感的宏大叙事始终是主流文化的核心叙事策略之一。大众文化的视觉表意实践对这一叙事策略的编码过程,不仅带有主流文化的深刻烙印,而且随着时代语境的变迁不断融入更丰富的视觉话语内涵。当代电视剧中的英雄形象作为其中最具有代表性的形象符号之一,深刻反映了这一变迁历程。具体而言,在历时性和共时性两个维度,这一形象符号既在叙事策略层面体现了从"附魅"、"祛魅"到"返魅"的转变过程,又在大众视觉经验层面经历了从启蒙、重塑到日常生活化的深化过程。在这一过程中,以崇高感为基本特征的宏大叙事不断遭到解构和重构,并因此成为彰显中国当代社会转型的重要表征之一。
[Abstract]:At the macro level of the social transformation in contemporary China, the grand narrative, which highlights the sublime sense of the "Great Age", has always been one of the core narrative strategies of the mainstream culture. The coding process of this narrative strategy by the visual ideographic practice of popular culture not only carries the deep imprint of mainstream culture, but also integrates the richer connotation of visual discourse with the change of the context of the times. As one of the most representative image symbols, the hero image in contemporary TV series reflects the changing course. Specifically, in both diachronic and synchronic dimensions, this image symbol not only embodies the transformation process from "enchanting", "disenchantment" to "reenchantment" in narrative strategy level, but also experiences enlightenment in the level of public visual experience. Reshape to the deepening process of daily life. In this process, the grand narration characterized by sublime sense has been constantly deconstructed and reconstructed, and has thus become one of the most important symbols of the transformation of Chinese contemporary society.
【作者单位】： 南京大学艺术研究院;
【基金】：教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(12JZD019)、教育部人文社会科学研究一般项目“视觉文化语境中的艺术生产理论研究”(13YJA760025)的阶段性成果 江苏省高校“青蓝工程”中青年学科带头人培养对象项目资助
【分类号】：J905
[Abstract]:At the macro level of the social transformation in contemporary China, the grand narrative, which highlights the sublime sense of the "Great Age", has always been one of the core narrative strategies of the mainstream culture. The coding process of this narrative strategy by the visual ideographic practice of popular culture not only carries the deep imprint of mainstream culture, but also integrates the richer connotation of visual discourse with the change of the context of the times. As one of the most representative image symbols, the hero image in contemporary TV series reflects the changing course. Specifically, in both diachronic and synchronic dimensions, this image symbol not only embodies the transformation process from "enchanting", "disenchantment" to "reenchantment" in narrative strategy level, but also experiences enlightenment in the level of public visual experience. Reshape to the deepening process of daily life. In this process, the grand narration characterized by sublime sense has been constantly deconstructed and reconstructed, and has thus become one of the most important symbols of the transformation of Chinese contemporary society.
【作者单位】： 南京大学艺术研究院;
【基金】：教育部哲学社会科学研究重大课题攻关项目“当代中国社会转型中的视觉文化研究”(12JZD019)、教育部人文社会科学研究一般项目“视觉文化语境中的艺术生产理论研究”(13YJA760025)的阶段性成果 江苏省高校“青蓝工程”中青年学科带头人培养对象项目资助
【分类号】：J905
【相似文献】
相关期刊论文 前10条
1 刘渊;;论英雄形象的解构和重构——以电视剧《我的兄弟叫顺溜》为例[J];新闻爱好者;2010年04期
2 周文凯;;新时代 新影视 新英雄——关于影视作品中英雄形象的创作[J];魅力中国;2008年10期
3 张伯存;;警匪剧中的当代英雄形象与大众社会心理[J];艺术评论;2007年08期
4 孙志杰;;电影《杰桑·索南达杰》——简析英雄形象的塑造[J];电影文学;2008年15期
5 柯筱荣;;一个时代的面容——谈“样板戏”电影中英雄形象的被玩偶化及其它[J];滁州职业技术学院学报;2009年02期
6 薛妮;;电影《勇敢的心》故事情节及主人公英雄形象评析[J];电影文学;2011年18期
7 婙葛文，
本文编号：2198552
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2198552.html
