葛优系列银幕形象的风格特征研究
发布时间：2018-08-29 08:03
【摘要】：葛优是当今中国影坛兼具市场号召力与艺术地位的优秀演员，不论是屡创票房纪录的“京味儿”贺岁喜剧，还是具有“史诗”色彩、年代跨越大、人物命运跌宕的正剧，抑或是紧扣当下现实、细腻刻画“小人物”悲凉无奈的生存困境，他都能以内敛、不温不火的风格“轻松”驾驭。本文从葛优的成长经历入手，将其饰演的角色分为四类：“京味”喜剧人物形象、生存窘迫、内心挣扎的“小人物”形象以及具有幽默色彩甚至立体性格的“反派”形象，，对这位戛纳影帝、平民影帝、贺岁影帝所塑造的系列银幕形象，从语言特点、平民化取向、喜剧风格和文化内蕴四个方面深入分析与阐释。 语言是葛优塑造人物形象的重要工具，第一章从喜剧和正剧两种类型分析人物形象的语言特点。其中喜剧形象特点是生活化、日常化的京味幽默语言，而正剧体现语言风格错位现象。第二章立足于斯坦尼斯拉夫斯基表演理论，分析葛优塑造人物形象的特点——平民化取向，其中包括本色表演、细节塑造、生活化和市井化等特点，进一步阐述如何塑造平民形象。第三章围绕现有作品，从冷幽默中的热思考、玩世不恭外表下真性情、游戏对象三个角度阐述葛优如何成为最具辨识度、市场号召力较强的喜剧演员。第四章分析葛优银幕背后的文化内涵，并通过与周星驰和新晋小生黄渤饰演的小人物形象对比，探寻葛优表演艺术的特殊性。 研究葛优的系列银幕形象风格特征，有助于更好地剖析葛优独到的表演艺术，并进一步探索一个好演员对于电影，特别是贺岁电影、喜剧电影的重要作用，对以后的演员表演、电影创作包括剧本创作均有积极的参考作用。
[Abstract]:Ge You is an excellent actor with both market appeal and artistic status in the Chinese film world today. Whether it is a box-office record of "Beijing flavor" New year comedy, or a "epic" style, it is a major drama with a great age and the ups and downs of characters' fates. Or is it close to the current reality, meticulously portray "little man" tragically helpless survival predicament, he can be introverted, not warm style "easy" control. This article starts with Ge You's growing up experience, classifies his characters into four categories: the characters of "Jingwei" comedy, the image of "little man" struggling in his heart and the image of "villain" with humor and even three-dimensional character. A series of screen images created by the Cannes, civilian and New year moviegoers are analyzed and explained from four aspects: language characteristics, populist orientation, comedy style and cultural connotation. Language is an important tool for Ge You to portray characters. The first chapter analyzes the linguistic characteristics of characters from two types: comedy and drama. Comedy is characterized by daily Beijing humorous language, while the Chinese opera embodies the phenomenon of language style dislocation. The second chapter, based on Stanislavsky's performance theory, analyzes the characteristics of Ge You's portrayal of characters-the orientation of populace, including the characteristics of real performance, detail shaping, life adaptation and marketization, etc. Further elaborate how to shape the image of civilians. The third chapter focuses on the existing works, from the hot thinking in cold humor, cynicism under the appearance of true temperament, game object three angles to explain how Ge You became the most recognizable, market appeal comedian. The fourth chapter analyzes the cultural connotations behind Ge You's screen and explores the particularity of Ge You's performing art by contrasting with the image of the little characters played by Zhou Xingchi and Huang Bo. The study of Ge You's series of screen image style features will be helpful to better analyze Ge You's unique performing arts, and to further explore the important role of a good actor in movies, especially New year movies and comedy films, as well as in the performance of future actors. Film creation, including script creation, has a positive reference role.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2210683
[Abstract]:Ge You is an excellent actor with both market appeal and artistic status in the Chinese film world today. Whether it is a box-office record of "Beijing flavor" New year comedy, or a "epic" style, it is a major drama with a great age and the ups and downs of characters' fates. Or is it close to the current reality, meticulously portray "little man" tragically helpless survival predicament, he can be introverted, not warm style "easy" control. This article starts with Ge You's growing up experience, classifies his characters into four categories: the characters of "Jingwei" comedy, the image of "little man" struggling in his heart and the image of "villain" with humor and even three-dimensional character. A series of screen images created by the Cannes, civilian and New year moviegoers are analyzed and explained from four aspects: language characteristics, populist orientation, comedy style and cultural connotation. Language is an important tool for Ge You to portray characters. The first chapter analyzes the linguistic characteristics of characters from two types: comedy and drama. Comedy is characterized by daily Beijing humorous language, while the Chinese opera embodies the phenomenon of language style dislocation. The second chapter, based on Stanislavsky's performance theory, analyzes the characteristics of Ge You's portrayal of characters-the orientation of populace, including the characteristics of real performance, detail shaping, life adaptation and marketization, etc. Further elaborate how to shape the image of civilians. The third chapter focuses on the existing works, from the hot thinking in cold humor, cynicism under the appearance of true temperament, game object three angles to explain how Ge You became the most recognizable, market appeal comedian. The fourth chapter analyzes the cultural connotations behind Ge You's screen and explores the particularity of Ge You's performing art by contrasting with the image of the little characters played by Zhou Xingchi and Huang Bo. The study of Ge You's series of screen image style features will be helpful to better analyze Ge You's unique performing arts, and to further explore the important role of a good actor in movies, especially New year movies and comedy films, as well as in the performance of future actors. Film creation, including script creation, has a positive reference role.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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本文编号：2210683
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