《倭寇的踪迹》:道统的失落和武侠文化的复苏
发布时间：2018-08-29 09:23
【摘要】：正“倭寇”是中国历史长河中曾经无法磨灭的痛苦记忆,自先秦以降,中国就与邻国日本互相往来,至明末,在中国东南沿海一带频繁侵扰劫掠的日本海盗始酿成倭患,国人唤之倭寇。新派导演、作家徐皓峰将个人首次执导的古装武侠电影命名为《倭寇的踪迹》,但是,在影片中并未真的出现人潮涌动的大批“倭寇”,而是围绕着一名落单“倭寇”和他手中的“倭刀”,上演“猫捉老鼠”和“老鼠戏猫”的故事。与众不同的是,徐氏武侠作品非常注重观众
[Abstract]:"Japanese aggressors" are painful memories that have been indelibly indelible in the long river of Chinese history. Since the fall of the pre-Qin Dynasty, China has interacted with neighboring Japan, and until the end of the Ming Dynasty, Japanese pirates, who frequently invaded and looted the southeast coast of China, became Japanese pirates. Chinese call Japanese aggressors. Xu Haofeng, a new director and writer, named his first film "the Trail of Japanese Kungfu", but there was no such thing as a large number of "Japanese invaders" in the film. Instead, it revolves around a lone Japanese aggressor and a Japanese knife in his hand, featuring cat and mouse play cat. What is different is that Xu's martial arts works pay much attention to the audience.
【作者单位】： 西南医科大学思政部;
，
本文编号：2210779
[Abstract]:"Japanese aggressors" are painful memories that have been indelibly indelible in the long river of Chinese history. Since the fall of the pre-Qin Dynasty, China has interacted with neighboring Japan, and until the end of the Ming Dynasty, Japanese pirates, who frequently invaded and looted the southeast coast of China, became Japanese pirates. Chinese call Japanese aggressors. Xu Haofeng, a new director and writer, named his first film "the Trail of Japanese Kungfu", but there was no such thing as a large number of "Japanese invaders" in the film. Instead, it revolves around a lone Japanese aggressor and a Japanese knife in his hand, featuring cat and mouse play cat. What is different is that Xu's martial arts works pay much attention to the audience.
【作者单位】： 西南医科大学思政部;
，
本文编号：2210779
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2210779.html
