接受美学视域下徐浩峰武侠电影的类型创新研究
发布时间：2018-08-30 17:03
【摘要】：传统的武侠电影无法满足观众的创新期待,发展渐入瓶颈。武侠电影在转型期中逐渐分成了不同类别,有的融合奇幻电影,依托数字特效,打造更华丽的视觉奇观;有的则作者化更加明显,或对武侠电影做出反类型解构。徐浩峰的武侠电影便是后者中解构最为彻底的,他打造了全新的"武行电影"类型,使武林、武人、武术重新还原真实,并试图重塑观众的期待视野。本文从接受美学角度来对徐浩峰武侠电影类型的转型做接受基础分析、接受状况解读,并研究接受美学"隐含的读者"理论对徐浩峰电影再创作的影响。论文共分为六个部分,序言中概括了武侠电影转型期的特点,对接受美学做出了整体阐释;第一章阐述接受美学视域下的武侠电影发展史,分析武侠电影的接受史与效果史,并对当前武侠电影的现状及其原因作出分析,并讨论武侠电影当前转型的新方向;第二章讲徐浩峰武侠电影的观众接受分析,阐述观众对徐类型创新的认同和不认同之处,指出徐浩峰电影的文化意义先导性;第三章从召唤结构与"隐含的读者"角度分别对徐浩峰电影做出文本分析;第四章阐述徐浩峰电影研究与毕业剧本创作的关系;结语对徐浩峰武侠电影能否形成持续的规模化的类型创新做出分析阐述,分析其电影对武侠电影类型发展的影响。
[Abstract]:The traditional martial arts movie can not satisfy the audience's innovation expectation, the development gradually enters the bottleneck. In the transition period, the martial arts movies are gradually divided into different categories, some fusion fantasy movies, relying on digital special effects, to create a more gorgeous visual spectacle; others are more obvious, or the martial arts films made anti-type deconstruction. Xu Haofeng's martial arts film is the most thorough deconstruction of the latter, he created a new type of "martial arts film", so that martial arts, martial arts to restore reality, and try to reshape the audience's vision of expectations. From the perspective of reception aesthetics, this paper makes a basic analysis of the transformation of Xu Haofeng's martial arts movies, interprets the reception situation, and studies the influence of the "implied reader" theory of reception aesthetics on Xu Haofeng's film re-creation. The thesis is divided into six parts, the preface summarizes the characteristics of the transformation period of the martial arts film, makes the overall explanation to the reception aesthetics; the first chapter expounds the history of the development of the martial arts film in the field of reception aesthetics, analyzes the history of the acceptance and the effect of the martial arts film. It also analyzes the current situation and causes of the martial arts movies, and discusses the new direction of the current transformation of the martial arts movies. Chapter two discusses the audience acceptance analysis of Xu Haofeng's martial arts films, and expounds the audience's identification with and disapproval of Xu's innovation. The author points out the cultural significance of Xu Haofeng's films, analyzes the text of Xu Haofeng's films from the angle of summoning structure and "implied readers", and expounds the relationship between Xu Haofeng's film research and graduation script creation. The conclusion analyzes whether Xu Haofeng's martial arts movies can form a sustained large-scale type innovation, and analyzes the influence of his films on the development of martial arts movies.
【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
本文编号：2213711
[Abstract]:The traditional martial arts movie can not satisfy the audience's innovation expectation, the development gradually enters the bottleneck. In the transition period, the martial arts movies are gradually divided into different categories, some fusion fantasy movies, relying on digital special effects, to create a more gorgeous visual spectacle; others are more obvious, or the martial arts films made anti-type deconstruction. Xu Haofeng's martial arts film is the most thorough deconstruction of the latter, he created a new type of "martial arts film", so that martial arts, martial arts to restore reality, and try to reshape the audience's vision of expectations. From the perspective of reception aesthetics, this paper makes a basic analysis of the transformation of Xu Haofeng's martial arts movies, interprets the reception situation, and studies the influence of the "implied reader" theory of reception aesthetics on Xu Haofeng's film re-creation. The thesis is divided into six parts, the preface summarizes the characteristics of the transformation period of the martial arts film, makes the overall explanation to the reception aesthetics; the first chapter expounds the history of the development of the martial arts film in the field of reception aesthetics, analyzes the history of the acceptance and the effect of the martial arts film. It also analyzes the current situation and causes of the martial arts movies, and discusses the new direction of the current transformation of the martial arts movies. Chapter two discusses the audience acceptance analysis of Xu Haofeng's martial arts films, and expounds the audience's identification with and disapproval of Xu's innovation. The author points out the cultural significance of Xu Haofeng's films, analyzes the text of Xu Haofeng's films from the angle of summoning structure and "implied readers", and expounds the relationship between Xu Haofeng's film research and graduation script creation. The conclusion analyzes whether Xu Haofeng's martial arts movies can form a sustained large-scale type innovation, and analyzes the influence of his films on the development of martial arts movies.
【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
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