今敏动画中女性角色塑造研究
发布时间：2018-09-07 15:05
【摘要】：21世纪以来,中国动画产业发展迅猛,原创动画的数量已在世界前列,却依旧创造不出如吉卜力、迪士尼出品的影片来震撼世人。面对美日等动画强国影响力的日益增强,国产动画如何抓住动画爱好者们眼球,为其带来视觉盛宴,是中国动画人值得探究的问题。仔细品味国产动画则会发现国产动画角色较之于外国动画角色,我国动画角色存在性格过于单薄,女性角色塑造欠缺,表现手法生硬,角色的互动不够强,创作者的核心思想缺乏深度等问题。对此,笔者主要对女性角色塑造来展开研究。在相关文献著作中有关动画女性角色塑造的文章较少,且主要集中在外在形象塑造上,而对于角色的内外结合、角色与影片关联方面研究较少。笔者选择偏爱以女性角色为主角的日本鬼才导演今敏的作品为例,针对今敏笔下的女性角色塑造展开研究。论文的研究旨在了解女性角色塑造的基本要素的情况下,寻找影片中对女性角色塑造相互影响的多样因素,探究今敏动画中女性角色塑造的成功之术。论文从今敏的动画生涯为切入点,在了解今敏的动画情感的基础上,分析今敏对动画、对女性角色的理解,总结其笔下女性角色的基本特点。进一步深入分析理解今敏的动画影片,根据女性角色的性格,将其分为“自我实现”的女主角、“迷失自我”的女配角、“随波逐流”的群众女性三种类型,并通过多种方法进行对比剖析与归纳总结。深入研究今敏动画片中女性角色的多元化塑造,从剧情特点到结构特征、表演表情,到与男性角色、周围环境之间的相互作用,最终与镜头语言相互配合的方式进行研究。与此同时,从社会现象和文化传递方面来针对社会因素对女性角色塑造的影响作用进行研究。通过以上多方面多维度的全面解析后,笔者对中国动画中女性角色在角色的动作、造型和社会属性方面的不足进行了分析,希望通过对今敏在女性角色塑造中的成功之处的理解,给予中国动画中女性角色塑造一些启迪,愿中国动画在女性角色塑造方面更加生动完善,加快中国动画前进的步伐。
[Abstract]:Since the 21st century, the Chinese animation industry has developed rapidly, the number of original animation has been in the forefront of the world, but still can not create such as Ghibli, Disney films to shock the world. In the face of the growing influence of the United States and Japan and other animation powers, how to catch the eyes of animation enthusiasts and bring them a visual feast is a problem worth exploring by Chinese animators. If you carefully taste the domestic animation, you will find that the Chinese animation characters are too thin in character, lacking in female characters, stiff in expression, and not strong enough in the interaction of the Chinese characters compared with the foreign animation characters. The creator's core idea lacks depth and so on. In this regard, the author mainly studies the role of women. There are few articles about the portrayal of animated female characters in the related literature, and they mainly focus on the external image creation, but there is little research on the combination of the characters inside and outside, the role and the film relevance. The author chooses the Japanese ghost director Gimin's works with female characters as the main character as an example to carry out research on the female character shaping in Jin Min's works. The purpose of this paper is to find out the various factors that influence the female character shaping in the film, and to explore the successful techniques of the female character shaping in the modern animation under the condition of understanding the basic elements of the female character shaping. Based on the understanding of the animation emotion, this paper analyzes the understanding of the animation and the female characters, and summarizes the basic characteristics of the female characters in his works. By further analyzing and understanding the animated films of Jin Min, according to the character of the female characters, they can be divided into three types: the female protagonist of "self-actualization", the supporting actress of "lost self", and the mass women who "follow the current". And through a variety of methods for comparative analysis and summary. This paper deeply studies the diversification of female characters in this cartoon, from plot characteristics to structural features, performance expressions, to the interaction with male characters and surrounding environment, and finally to study the ways to cooperate with lens language. At the same time, the influence of social factors on female role shaping is studied from social phenomena and cultural transmission. Based on the comprehensive analysis of the above aspects and dimensions, the author analyzes the shortcomings of the female characters in the action, modeling and social attributes of the characters in Chinese animation. It is hoped that through the understanding of the success of Jin Min in the shaping of female characters, this paper will give some enlightenment to the portrayal of female characters in Chinese animation, and hope that Chinese animation will be more vivid and perfect in shaping female characters, and speed up the pace of the development of Chinese animation.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
[Abstract]:Since the 21st century, the Chinese animation industry has developed rapidly, the number of original animation has been in the forefront of the world, but still can not create such as Ghibli, Disney films to shock the world. In the face of the growing influence of the United States and Japan and other animation powers, how to catch the eyes of animation enthusiasts and bring them a visual feast is a problem worth exploring by Chinese animators. If you carefully taste the domestic animation, you will find that the Chinese animation characters are too thin in character, lacking in female characters, stiff in expression, and not strong enough in the interaction of the Chinese characters compared with the foreign animation characters. The creator's core idea lacks depth and so on. In this regard, the author mainly studies the role of women. There are few articles about the portrayal of animated female characters in the related literature, and they mainly focus on the external image creation, but there is little research on the combination of the characters inside and outside, the role and the film relevance. The author chooses the Japanese ghost director Gimin's works with female characters as the main character as an example to carry out research on the female character shaping in Jin Min's works. The purpose of this paper is to find out the various factors that influence the female character shaping in the film, and to explore the successful techniques of the female character shaping in the modern animation under the condition of understanding the basic elements of the female character shaping. Based on the understanding of the animation emotion, this paper analyzes the understanding of the animation and the female characters, and summarizes the basic characteristics of the female characters in his works. By further analyzing and understanding the animated films of Jin Min, according to the character of the female characters, they can be divided into three types: the female protagonist of "self-actualization", the supporting actress of "lost self", and the mass women who "follow the current". And through a variety of methods for comparative analysis and summary. This paper deeply studies the diversification of female characters in this cartoon, from plot characteristics to structural features, performance expressions, to the interaction with male characters and surrounding environment, and finally to study the ways to cooperate with lens language. At the same time, the influence of social factors on female role shaping is studied from social phenomena and cultural transmission. Based on the comprehensive analysis of the above aspects and dimensions, the author analyzes the shortcomings of the female characters in the action, modeling and social attributes of the characters in Chinese animation. It is hoped that through the understanding of the success of Jin Min in the shaping of female characters, this paper will give some enlightenment to the portrayal of female characters in Chinese animation, and hope that Chinese animation will be more vivid and perfect in shaping female characters, and speed up the pace of the development of Chinese animation.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
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