吴宇森影片中的暴力美学研究
发布时间：2018-09-07 19:48
【摘要】：本文结合吴宇森的创作实践,以“暴力美学”为出发点,通过对他影片的解读和分析,探讨吴宇森暴力美学中体现的伦理精神及其作品对东西方电影创作产生的影响,为中国电影更好地走向世界提供参考坐标。文章从五个部分对其暴力美学进行系统阐述：第一部分,主要论述了“暴力”、“暴力电影”、“暴力美学”的含义及其源流发展。第二部分,分析吴宇森在受到东西方文化影响下形成的伦理精神在“暴力美学”中的表现。从他的宗教信仰、传统侠义文化影响下的东方暴力情怀、吴宇森个人的英雄情结三个方面,分析其暴力美学的文化成因及其体现出的价值取向与思想内涵。第三部分,主要分析吴宇森进入好莱坞后,他暴力美学的延续与发展,主要表现在形式美感的延续、侠义精神和英雄情结与好莱坞文化的融合及影片主题的拓展三个方面。第四部分,主要论述吴宇森暴力美学的符号化表达,从吴宇森升格镜头的符号化呈现、“白鸽”的符号化象征以及诗意场景的刻意营造三个方面分析其视听语言符号的突出特征,探究他为其伦理精神服务的独特的视听语言特色。第五部分,分析总结吴宇森“暴力美学”带给我们的启示,关注“暴力美学”这一理论创立的效应、研究其跨文化传播的成功经验,从中发现其对我们的影视作品创作的指导价值,使中国影视作品建立起一种带有本民族文化特色和西方优秀文化融合的中西合璧的美学风格,开创出既保持民族特色文化,又适应世界观众审美旨趣的、真正意义上跨文化传播的电影道路。本文主要运用了文献分析法和理论分析法。通过对吴宇森暴力美学相关文字资料与影视资料的搜集和整理,并对这些资料进行分类和梳理,在借鉴前人研究结果的基础上,提出自己对吴宇森暴力美学的看法和见解,探讨吴宇森暴力美学在美学、伦理精神、视听语言符号等方面所获得的成功和启示。通过对吴宇森暴力美学的研究,探索其对世界范围内的商业电影的创作产生深远而强烈的影响,看到其暴力美学所具有的深刻的中国文化传统的根基、面向世界影视发展方向的延续与拓展、独具特色的诗意化、符号化的具体视听语言的表达方式,从而探索吴宇森的“暴力美学”理论的提出与作品的实践对中国影视理论研究和影视作品跨文化传播的指导意义。
[Abstract]:Combined with Wu Yusen's creative practice, this paper, based on "violence Aesthetics", through the interpretation and analysis of his films, probes into the ethical spirit embodied in Wu Yusen's violent aesthetics and the influence of his works on the creation of films between the East and the West. To provide reference coordinates for Chinese films to better move to the world. This paper systematically expounds the aesthetics of violence from five parts: the first part mainly discusses the meaning of "violence", "violent film", "aesthetics of violence" and its origin and development. In the second part, it analyzes the expression of the ethical spirit formed by Wu Yusen under the influence of Eastern and Western cultures in the Aesthetics of violence. From his religious belief, the oriental violent feelings under the influence of traditional chivalrous culture, and Wu Yusen's personal heroic complex, this paper analyzes the cultural causes of his violent aesthetics and the value orientation and ideological connotation of his violent aesthetics. The third part mainly analyzes the continuation and development of Wu Yusen's violent aesthetics after entering Hollywood, which mainly shows in three aspects: the continuation of aesthetic sense of form, the fusion of chivalrous spirit and heroic complex with Hollywood culture, and the expansion of film theme. The fourth part mainly discusses the symbolic expression of Wu Yusen's violent aesthetics, and presents the symbolization of the upgrading lens of Wu Yusen. The symbolized symbol of "White Pigeon" and the deliberate creation of poetic scene analyze the prominent features of its audio-visual language symbols, and probe into his unique audio-visual language features which serve his ethical spirit. In the fifth part, the author analyzes and summarizes the enlightenment of Wu Yusen's "violence Aesthetics", pays attention to the effect of "violence Aesthetics", and studies its successful experience in cross-cultural communication. From this, we find out its guiding value to the creation of our film and television works, so that the Chinese film and television works can establish an aesthetic style with their own national cultural characteristics and the combination of the excellent western culture and the Chinese traditional culture, thus creating a culture that can not only maintain the national characteristics, but also maintain the national characteristics of the Chinese film and television works. And adapt to the aesthetic purport of the world audience, the real cross-cultural communication of the film road. This article mainly uses the literature analysis method and the theory analysis method. Based on the collection and collation of the literature and film and television materials related to Wu Yusen's violent aesthetics, this paper classifies and combs these materials, and puts forward his own views and opinions on Wu Yusen's violent aesthetics on the basis of the previous research results. This paper probes into the success and enlightenment of Wu Yusen's violent aesthetics in aesthetics, ethical spirit, audiovisual language symbols and so on. Through the study of Wu Yusen's violent aesthetics, this paper explores its profound and strong influence on the creation of commercial films worldwide, and finds out the foundation of the profound Chinese cultural tradition of Wu Yusen's violent aesthetics. The continuation and expansion of the development direction of the world's film and television, the unique poetic and symbolic expression of the specific audio-visual language, Thus, it explores the guiding significance of Wu Yusen's theory of "violence aesthetics" and the practice of his works to the study of Chinese film and television theory and the cross-cultural communication of film and television works.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2229247
[Abstract]:Combined with Wu Yusen's creative practice, this paper, based on "violence Aesthetics", through the interpretation and analysis of his films, probes into the ethical spirit embodied in Wu Yusen's violent aesthetics and the influence of his works on the creation of films between the East and the West. To provide reference coordinates for Chinese films to better move to the world. This paper systematically expounds the aesthetics of violence from five parts: the first part mainly discusses the meaning of "violence", "violent film", "aesthetics of violence" and its origin and development. In the second part, it analyzes the expression of the ethical spirit formed by Wu Yusen under the influence of Eastern and Western cultures in the Aesthetics of violence. From his religious belief, the oriental violent feelings under the influence of traditional chivalrous culture, and Wu Yusen's personal heroic complex, this paper analyzes the cultural causes of his violent aesthetics and the value orientation and ideological connotation of his violent aesthetics. The third part mainly analyzes the continuation and development of Wu Yusen's violent aesthetics after entering Hollywood, which mainly shows in three aspects: the continuation of aesthetic sense of form, the fusion of chivalrous spirit and heroic complex with Hollywood culture, and the expansion of film theme. The fourth part mainly discusses the symbolic expression of Wu Yusen's violent aesthetics, and presents the symbolization of the upgrading lens of Wu Yusen. The symbolized symbol of "White Pigeon" and the deliberate creation of poetic scene analyze the prominent features of its audio-visual language symbols, and probe into his unique audio-visual language features which serve his ethical spirit. In the fifth part, the author analyzes and summarizes the enlightenment of Wu Yusen's "violence Aesthetics", pays attention to the effect of "violence Aesthetics", and studies its successful experience in cross-cultural communication. From this, we find out its guiding value to the creation of our film and television works, so that the Chinese film and television works can establish an aesthetic style with their own national cultural characteristics and the combination of the excellent western culture and the Chinese traditional culture, thus creating a culture that can not only maintain the national characteristics, but also maintain the national characteristics of the Chinese film and television works. And adapt to the aesthetic purport of the world audience, the real cross-cultural communication of the film road. This article mainly uses the literature analysis method and the theory analysis method. Based on the collection and collation of the literature and film and television materials related to Wu Yusen's violent aesthetics, this paper classifies and combs these materials, and puts forward his own views and opinions on Wu Yusen's violent aesthetics on the basis of the previous research results. This paper probes into the success and enlightenment of Wu Yusen's violent aesthetics in aesthetics, ethical spirit, audiovisual language symbols and so on. Through the study of Wu Yusen's violent aesthetics, this paper explores its profound and strong influence on the creation of commercial films worldwide, and finds out the foundation of the profound Chinese cultural tradition of Wu Yusen's violent aesthetics. The continuation and expansion of the development direction of the world's film and television, the unique poetic and symbolic expression of the specific audio-visual language, Thus, it explores the guiding significance of Wu Yusen's theory of "violence aesthetics" and the practice of his works to the study of Chinese film and television theory and the cross-cultural communication of film and television works.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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，本文编号：2229247
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