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奥斯卡获奖动画创作模式研究

发布时间:2018-09-17 16:10
【摘要】:美国奥斯卡电影金像奖(以下简称奥斯卡奖)已走过半个多世纪的历程,在电影历史的长河里,奥斯卡奖带来的推动作用功不可没。已经从由最初的奖励对美国电影发展的功能发展到成为美国乃至全球电影艺术的“风向标”,而动画也借奥斯卡电影奖的地位与威望也倍受世界瞩目。因此笔者选取奥斯卡历年获奖动画短片与长片作为研究对象,结合时代背景研究众多获奖作品的创作模式。划分四类创作模式并逐一分析,对各类创作模式创作的作品的发展历程进行阐述和总结,分析在这些创作模式下的奥斯卡获奖动画商业上的传播价值。最后对典型作品进行个案分析,,并从中找到对中国动画创作有借鉴意义的地方。全文结合动画、漫画、绘本漫画、美学等相关理论对至今所有的奥斯卡获奖动画进行归纳研究,由此以其对中国动画事业有所启示。
[Abstract]:The American Academy Award (hereinafter referred to as the Oscar) has gone through more than half a century, in the long history of the film, the Oscar has brought the impetus role can not be ignored. It has developed from the function of the original award to the development of American film to become the vane of American and even global film art, and animation has also attracted the attention of the world with the status and prestige of the Oscar. So the author chooses the Oscar winning animation short film and feature film as the research object and studies the creation mode of many award-winning works combined with the background of the times. This paper divides four kinds of creation models and analyzes them one by one, expounds and summarizes the development course of the works created by all kinds of creation modes, and analyzes the commercial communication value of Oscar-winning animation under these creation modes. Finally, a case study of typical works is carried out, from which we can find some reference points for Chinese animation creation. The full text combines animation, cartoon, picture book cartoon, aesthetics and other related theories to sum up and study all Oscar-winning animation so far, so as to enlighten the cause of Chinese animation.
【学位授予单位】:南京艺术学院
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J954

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