电影《冰血暴》的后现代身份研究

发布时间：2018-09-17 18:36

【摘要】：作为美国当今颇具声名的独立电影导演，科恩兄弟的电影一直以它的黑色幽默、怪诞、讽刺以及不落俗套的情节著称。《冰血暴》作为他们最成功的商业片，在秉承了其基本特色的拍摄手法基础上，也展现了人物性格的多面性。本文将从后现代主义视角探讨《冰血暴》中人物身份问题，反映后现代社会个人身份的破碎性，黑色化以及拟像化。随着20世纪末全球化来袭，，个人作为一种完整、持续和稳定的主体身份正逐渐被削弱，取而代之的是破碎，无中心，拟像的主体认知。詹姆逊认为后现代主体已经死亡，我们正面临一种新的后现代身份。这种身份特征和后现代非病理学的精神分裂症、戏仿、拼贴、黑色幽默和拟像等紧紧的联系在一起。本文以后现代主义批评家弗雷德里克·詹姆逊的后现代理论为基础，结合电影语言分析从三个角度揭示电影《冰血暴》里人物的身份问题。首先是通过阐释《冰血暴》中人物身份的不确定性和无深度性来探讨身份破碎的问题；接着从《冰血暴》的黑色电影元素入手，分析电影中戏仿、黑色幽默和拼贴三种后现代手法的使用如何让人物的身份黑色化；最后是从电影中频繁出现的电视着手，通过挖掘电视如何捆绑人类讨论真实的消失和身份的迷茫，分析了《冰血暴》中的拟像现象如何使人类的身份更加的模糊和破碎，从而揭示后现代媒体对主体身份的削弱。
[Abstract]:The Cohn brothers, as today's famous independent film directors in the United States, have long been known for their black humor, grotesque, satire and unconventional plot. "Ice Blood Storm" is their most successful commercial film. On the basis of the shooting technique which inherits its basic characteristics, it also shows the multi-facet character of the characters. From the perspective of postmodernism, this paper discusses the identity of characters in Ice Blood Storm, which reflects the fragmentation, blackness and impersonation of personal identity in postmodern society. With the arrival of globalization at the end of the 20th century, the identity of individual as a complete, continuous and stable subject is gradually weakened, and replaced by the subject cognition of fragmentation, centeredness and impersonation. Jameson believes that the postmodern subject is dead and we are facing a new postmodern identity. This identity is closely associated with post-modern non-pathological schizophrenia parody collage black humor and imagery. Based on the postmodernist critic Frederick Jameson's postmodern theory, this paper, based on the analysis of film language, reveals the identity of the characters in the film "Ice Blood Storm" from three angles. First of all, it discusses the problem of identity fragmentation by explaining the uncertainty and lack of depth of the identity of characters in Ice Blood Storm, and then analyzes the parody of the film from the black film elements of Ice Blood Storm. How the use of black humor and collage makes the character's identity black; finally, it starts with the frequently appeared television in the film, and explores how television can bind mankind to discuss the disappearance of reality and the confusion of identity. This paper analyzes how the impersonation phenomenon in Ice Blood Storm makes the human identity more blurred and broken, thus revealing the weakening of the subject identity by the postmodern media.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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