功夫片的社会美学机能刍议
发布时间：2018-09-18 10:35
【摘要】：本文提出在被迫现代性的条件下,功夫片在广义的社会场域中担负和继承了戏曲,即中国古典戏剧无法继续承载的一些关键社会功能和美学机能。而在这个意义上,因为其文化生产意义上的不严肃性,以香港为主的功夫片生产反而为健康的、具有本真性的文化建构模式提供了良好的范例。
[Abstract]:In this paper, under the condition of forced modernity, the kung fu film takes on and inherits the opera in the broad social field, that is, the Chinese classical drama can not continue to carry some key social and aesthetic functions. In this sense, because of the seriousness of its cultural production, the production of kung fu films mainly in Hong Kong provides a good example for the healthy and authentic cultural construction model.
【作者单位】： 中国美术院;
【分类号】：J901
，
本文编号：2247632
[Abstract]:In this paper, under the condition of forced modernity, the kung fu film takes on and inherits the opera in the broad social field, that is, the Chinese classical drama can not continue to carry some key social and aesthetic functions. In this sense, because of the seriousness of its cultural production, the production of kung fu films mainly in Hong Kong provides a good example for the healthy and authentic cultural construction model.
【作者单位】： 中国美术院;
【分类号】：J901
，
本文编号：2247632
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2247632.html
