流动的世界—希区柯克电影里的精神世界
发布时间：2018-09-19 09:15
【摘要】：阿尔弗雷德·希区柯克，，是西方电影领域乃至世界举足轻重的艺术大师。希区柯克凭借其犀利的洞察力发现和刻画人性的复杂，擅于利用恐怖气氛与精湛的拍摄技巧将惊悚悬疑片发扬光大，开辟了电影类型的新纪元。抛开表面奇观式剧情和亮丽的出演阵容，希区柯克电影作品实质表现了对于人的各种心理问题的深入理解与思辨。 希区柯克20世纪40年代到60年代的电影作品堪称其创作的巅峰时期，具有学术解读的代表性。本论文将从精神分析角度阐释希区柯克这个时期的电影作品。第一，运用弗洛伊德关于欲望机制的理论，探讨希区柯克电影作品中的两性关系、母子纠葛与犯罪欲望的心理根源。第二，从整体上阐释希区柯克电影关于“看”的不同层次心理机制，由浅入深解读希区柯克电影中关于“看”的心理：从电影中频频出现的窥视情节来揭示窥视欲的本性；从个体对个体、他者对个体的凝视来阐述其对于个体的心理作用；运用拉康镜像理论剖析希氏影片中欲望机制的最高层——自我认同的两次构成。第三，研究希区柯克如何通过独有方式调节观众情绪与其多重客体对电影的推动作用。
[Abstract]:Alfred Hitchcock is an important master of art in western film field and even in the world. Hitchcock, with his sharp insight, has discovered and portrayed the complexity of human nature. He is good at using the atmosphere of terror and superb shooting skills to expand thriller suspense films and open up a new era of movie genre. Despite the dramatic plot and bright cast, Hitchcock's film works represent a deep understanding and speculation of people's psychological problems. Hitchcock's film works from the 1940s to the 1960s were regarded as the peak period of his creation and were representative of academic interpretation. This thesis will explain Hitchcock's film works from the angle of psychoanalysis. First, using Freud's theory of desire mechanism, this paper discusses the psychological root of Hitchcock's sexual relationship, mother and child entanglement and criminal desire. Secondly, it explains the psychological mechanism of Hitchcock's film on different levels of "watching" from a whole perspective, and interprets the psychology of "watching" in Hitchcock's films from a superficial perspective: revealing the nature of snooping desire from the frequent appearance of the plot of snooping in the film; This paper expounds the psychological function of the individual from the gaze of the individual and the other, and analyzes the highest level of desire mechanism in his films by using the Lacan mirror theory, which is the two times of self-identity. Thirdly, it studies how Hitchcock adjusts the moods of audience and its multiple objects in a unique way.
【学位授予单位】：温州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
[Abstract]:Alfred Hitchcock is an important master of art in western film field and even in the world. Hitchcock, with his sharp insight, has discovered and portrayed the complexity of human nature. He is good at using the atmosphere of terror and superb shooting skills to expand thriller suspense films and open up a new era of movie genre. Despite the dramatic plot and bright cast, Hitchcock's film works represent a deep understanding and speculation of people's psychological problems. Hitchcock's film works from the 1940s to the 1960s were regarded as the peak period of his creation and were representative of academic interpretation. This thesis will explain Hitchcock's film works from the angle of psychoanalysis. First, using Freud's theory of desire mechanism, this paper discusses the psychological root of Hitchcock's sexual relationship, mother and child entanglement and criminal desire. Secondly, it explains the psychological mechanism of Hitchcock's film on different levels of "watching" from a whole perspective, and interprets the psychology of "watching" in Hitchcock's films from a superficial perspective: revealing the nature of snooping desire from the frequent appearance of the plot of snooping in the film; This paper expounds the psychological function of the individual from the gaze of the individual and the other, and analyzes the highest level of desire mechanism in his films by using the Lacan mirror theory, which is the two times of self-identity. Thirdly, it studies how Hitchcock adjusts the moods of audience and its multiple objects in a unique way.
【学位授予单位】：温州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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