郑洞天电影理论及其实践研究
发布时间：2018-10-07 20:21
【摘要】：郑洞天是电影理论家和电影导演,是中国第四代电影导演的代表人物之一。他担任北京电影学院的教授,同时还执导了多部影片,并在诸多电影节上获奖。纵观其近30年的电影研究和创作历程,不难发现人文关怀是贯穿他电影的突出特征。本文系统地研究他身为电影理论家为中国电影事业所做出的理论贡献,包括对于电影本体、电影经济学、电影观众学等理论研究。同时,立足于他影片中的人文关怀意识,系统地研究影片中所体现出来的丰富的表现内容和独具特色的影音风格,最后探究其影片表现主题和风格形成的哲学和美学渊源。通过系统的分析和梳理,我们能够看到郑洞天身为第四代电影导演,在中国电影的成长道路上所做出的不可磨灭的贡献。
[Abstract]:Zheng Dongtian, a film theorist and director, is one of the representatives of the fourth generation of Chinese film directors. He is a professor at the Beijing Film Academy and has directed several films and won awards at film festivals. Throughout his 30 years of film research and creation, it is not difficult to find that humanistic care is a prominent feature throughout his films. This paper systematically studies his theoretical contributions to the Chinese film industry as a film theorist, including the theoretical research on film ontology, film economics, film audience science and so on. At the same time, based on the humanistic care consciousness in his films, this paper systematically studies the rich performance content and unique audio-visual style embodied in the film, and finally probes into the philosophical and aesthetic origin of the theme and style of his films. Through systematic analysis and combing, we can see Zheng Dongtian's indelible contribution to the growth of Chinese film as the fourth generation film director.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911
本文编号：2255549
[Abstract]:Zheng Dongtian, a film theorist and director, is one of the representatives of the fourth generation of Chinese film directors. He is a professor at the Beijing Film Academy and has directed several films and won awards at film festivals. Throughout his 30 years of film research and creation, it is not difficult to find that humanistic care is a prominent feature throughout his films. This paper systematically studies his theoretical contributions to the Chinese film industry as a film theorist, including the theoretical research on film ontology, film economics, film audience science and so on. At the same time, based on the humanistic care consciousness in his films, this paper systematically studies the rich performance content and unique audio-visual style embodied in the film, and finally probes into the philosophical and aesthetic origin of the theme and style of his films. Through systematic analysis and combing, we can see Zheng Dongtian's indelible contribution to the growth of Chinese film as the fourth generation film director.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911
【参考文献】
相关期刊论文 前1条
1 高雄杰;;试论影视作品中物件细节的叙事功能[J];现代传播(中国传媒大学学报);2010年10期
，本文编号：2255549
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