张艺谋电影的审美诉求
发布时间：2018-10-08 10:02
【摘要】：中国电影在不断完善电影艺术的过程中，电影与民族、文化之间的关系越显突出。不仅体现于电影的精神内涵，同时也体现在艺术追求与审美诉求方面。这之中，作为第五代导演的张艺谋表现得尤为突出。对电影的深刻思考，艺术形式的不断创新是他导演的电影的鲜明特色。随着新时期商业文化的盛行，张艺谋的电影创作慢慢地脱离艺术电影的文化精神。这是中国电影值得思考的文化现象。本文正是从审美诉求的角度对张艺谋电影进行研究，并分为四个部分进行论述： 第一章对张艺谋电影的社会效应分析，主要从张艺谋的个人化的审美理解及价值取向，作品的文化的思考和人文关怀的角度对影片分析，其电影会带来有效的社会效应。 第二章对张艺谋电影的艺术性分析，通过电影作品来展现张艺谋的艺术追求及态度，在电影中的艺术形象的塑造以及民族化的艺术表现。 第三章对张艺谋电影商业性的分析，电影在商业经济下的转型，电影强烈的视听效果，娱乐化的尝试，商业与艺术相互的融合都在张艺谋新时期的电影中一一体现。 第四章从审美诉求的文化审视角度研究张艺谋电影，，肯定张艺谋努力尝试传统文化与西方电影模式的多元融合。但是文化内涵的缺失是问题所在，电影的长远发展还是要依靠本民族文化的精神文明。
[Abstract]:In the process of perfecting Chinese film art, the relationship between film, nation and culture is more and more prominent. It is not only reflected in the spiritual connotation of the film, but also in the pursuit of art and aesthetic appeal. In this, as the fifth generation director Zhang Yimou performance is particularly prominent. The deep thinking of the film and the continuous innovation of the art form are the distinctive features of his film. With the popularity of commercial culture in the new period, Zhang Yimou's film creation slowly divorced from the cultural spirit of art film. This is a cultural phenomenon worth thinking about in Chinese films. This article is just from the aesthetic appeal angle carries on the research to Zhang Yimou's film, and divides into four parts to carry on the elaboration: the first chapter analyzes the social effect of Zhang Yimou film, From the angle of Zhang Yimou's personal aesthetic understanding and value orientation, cultural thinking and humanistic concern, the film will bring effective social effect. The second chapter analyzes the artistic nature of Zhang Yimou's film, through the film works to show the artistic pursuit and attitude of Zhang Yimou, the art image in the film and the nationalization of the artistic expression. In the third chapter, the commercial analysis of Zhang Yimou film, the transformation of the film under the commercial economy, the strong audio-visual effect of the film, the attempt of entertainment, and the fusion of business and art are all reflected in the new era films of Zhang Yimou. The fourth chapter studies Zhang Yimou's films from the angle of cultural examination of aesthetic appeal, and affirms Zhang Yimou's efforts to try his best to combine traditional culture with western film mode. However, the lack of cultural connotation is the problem. The long-term development of the film still depends on the spiritual civilization of the national culture.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911
本文编号：2256357
[Abstract]:In the process of perfecting Chinese film art, the relationship between film, nation and culture is more and more prominent. It is not only reflected in the spiritual connotation of the film, but also in the pursuit of art and aesthetic appeal. In this, as the fifth generation director Zhang Yimou performance is particularly prominent. The deep thinking of the film and the continuous innovation of the art form are the distinctive features of his film. With the popularity of commercial culture in the new period, Zhang Yimou's film creation slowly divorced from the cultural spirit of art film. This is a cultural phenomenon worth thinking about in Chinese films. This article is just from the aesthetic appeal angle carries on the research to Zhang Yimou's film, and divides into four parts to carry on the elaboration: the first chapter analyzes the social effect of Zhang Yimou film, From the angle of Zhang Yimou's personal aesthetic understanding and value orientation, cultural thinking and humanistic concern, the film will bring effective social effect. The second chapter analyzes the artistic nature of Zhang Yimou's film, through the film works to show the artistic pursuit and attitude of Zhang Yimou, the art image in the film and the nationalization of the artistic expression. In the third chapter, the commercial analysis of Zhang Yimou film, the transformation of the film under the commercial economy, the strong audio-visual effect of the film, the attempt of entertainment, and the fusion of business and art are all reflected in the new era films of Zhang Yimou. The fourth chapter studies Zhang Yimou's films from the angle of cultural examination of aesthetic appeal, and affirms Zhang Yimou's efforts to try his best to combine traditional culture with western film mode. However, the lack of cultural connotation is the problem. The long-term development of the film still depends on the spiritual civilization of the national culture.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911
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1 罗艺军;;三十年代电影的民族风格——在香港《探索的年代—早期中国电影》研讨会上的发言[J];电影艺术;1984年08期
相关博士学位论文 前1条
1 李金梅;文化研究视域中的张艺谋[D];苏州大学;2008年
本文编号：2256357
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