绘制西藏纪录片类型的新图景——《第三极》《天河》的纪录精神大转变
发布时间：2018-10-11 08:22
【摘要】：当前,传统文化、地域文化、民族文化等文化自觉正变成一种积极推动和形成西藏纪录片风格的惯习,在单元故事里书写一种地域变迁和共识,这种文化传承将当下"复兴民族文化"的历史情结和精神处境建构成一种神话式视野和话语。2015年,纪录片《第三极》《天河》呈现出跨文化传播中鲜明的纪录精神转变:从文化仪式及田野调查的深度化探秘解读到趋向趣味化、单元故事化叙事;从西方和汉地想象的神秘之地到民族文化认同之地;从边缘人的视角转为西藏农村农牧民和城市市民现实生活的话语观看;从凸显生态文明理念转向"文化自觉"意义上的非物质文化遗产保护。
[Abstract]:At present, the cultural consciousness of traditional culture, regional culture, and national culture is becoming a habit that actively promotes and forms the style of Tibetan documentary films, writing a regional change and consensus in unit stories. This cultural heritage constructs the historical complex and spiritual situation of the present "rejuvenation of national culture" into a mythical vision and discourse. The documentary, "the third pole", "Tianhe" shows a distinct change in the spirit of record in the cross-cultural communication: from the cultural ceremony and field investigation to the in-depth interpretation to the trend of interesting, unit story narration; From the mysterious land of western and Chinese imagination to the land of national cultural identity, from the perspective of marginal people to the discourse of the real life of rural farmers and herdsmen and urban citizens in Tibet; From highlighting the idea of ecological civilization to the protection of intangible cultural heritage in the sense of "cultural consciousness".
【作者单位】： 苏州工业园区服务外包职业学院人文艺术学院;
【基金】：2014年江苏省“‘青蓝工程’资助”项目“2014年度高校‘青蓝工程’优秀青年骨干教师培养对象”(项目编号:KY12-QL-201402)阶段性研究成果
【分类号】：J952
本文编号：2263499
[Abstract]:At present, the cultural consciousness of traditional culture, regional culture, and national culture is becoming a habit that actively promotes and forms the style of Tibetan documentary films, writing a regional change and consensus in unit stories. This cultural heritage constructs the historical complex and spiritual situation of the present "rejuvenation of national culture" into a mythical vision and discourse. The documentary, "the third pole", "Tianhe" shows a distinct change in the spirit of record in the cross-cultural communication: from the cultural ceremony and field investigation to the in-depth interpretation to the trend of interesting, unit story narration; From the mysterious land of western and Chinese imagination to the land of national cultural identity, from the perspective of marginal people to the discourse of the real life of rural farmers and herdsmen and urban citizens in Tibet; From highlighting the idea of ecological civilization to the protection of intangible cultural heritage in the sense of "cultural consciousness".
【作者单位】： 苏州工业园区服务外包职业学院人文艺术学院;
【基金】：2014年江苏省“‘青蓝工程’资助”项目“2014年度高校‘青蓝工程’优秀青年骨干教师培养对象”(项目编号:KY12-QL-201402)阶段性研究成果
【分类号】：J952
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，本文编号：2263499
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