艺术设计学视阈下光影艺术与美术设计深度融合研究
发布时间：2018-10-11 12:30
【摘要】：正美术设计的拟真平面直觉,与光影艺术的拟真现实幻觉,分别为影视艺术作品建构起了关键的静态与绝大多数动态的视觉要素。然而,我们知道,任何影视艺术作品都具有完全的动态性,都是一种拟真现实的活态艺术。因此,在光影艺术与美术设计这一动一静之间,显然存在着某种艺术规约,这种艺术规约就是形诸于艺术设计学的影视艺术视域时空,在艺术设计学的影视艺术视域时空之中,光影艺术与美术设计二者之间又是如何协同工作,并且形成更
[Abstract]:The quasi-true plane intuition of the positive art design and the realistic illusion of the light and shadow art respectively construct the key static and most dynamic visual elements for the film and television works of art. However, we know that any work of film and television art is completely dynamic and is a kind of real living art. Therefore, between the movement of light and shadow art and art design, it is obvious that there is a certain art statute, which is the time and space of film and television art in the field of art and design, and in the field of film and television art of art design. How to work together between light and shadow art and art design, and form a more
【作者单位】： 武汉工程大学艺术设计学院;武汉科技大学城市学院;
【分类号】：J91
，
本文编号：2264204
[Abstract]:The quasi-true plane intuition of the positive art design and the realistic illusion of the light and shadow art respectively construct the key static and most dynamic visual elements for the film and television works of art. However, we know that any work of film and television art is completely dynamic and is a kind of real living art. Therefore, between the movement of light and shadow art and art design, it is obvious that there is a certain art statute, which is the time and space of film and television art in the field of art and design, and in the field of film and television art of art design. How to work together between light and shadow art and art design, and form a more
【作者单位】： 武汉工程大学艺术设计学院;武汉科技大学城市学院;
【分类号】：J91
，
本文编号：2264204
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