电影《冬》的东西方哲学主题分析
发布时间:2018-10-18 16:37
【摘要】:邢健导演处女作、荣获蒙特利尔国际电影节"最佳艺术贡献奖"的黑白电影《冬》是一部在艺术形式上大胆探索的电影:黑白默片、超现实主义画面以及东西方混合的哲学命题。电影人物极简,在七天的时间中讲述了一个孤独老人与一条鱼、一只鸟、一个孩子之间的故事,这部电影的主题可以从孤独、选择、自然论、因缘、无常、道等多个角度进行阐释,这些古老而深刻的东西方哲学主题使电影具有丰富的内涵。
[Abstract]:Xing Jian's debut film, the Black and White Film, which won the Montreal International Film Festival's "Best Art contribution Award," is a bold exploration of the art form of the film: black and white silent film, The surrealism picture and the philosophical proposition of the mixture of East and West. The characters are minimalist, telling a story between a lonely old man and a fish, a bird, a child in seven days. The theme of the film can be from loneliness, choice, naturalism, fate, impermanence. The ancient and profound themes of Eastern and Western philosophy make films rich in connotation.
【作者单位】: 重庆广播电视大学;
【分类号】:J905
,
本文编号:2279721
[Abstract]:Xing Jian's debut film, the Black and White Film, which won the Montreal International Film Festival's "Best Art contribution Award," is a bold exploration of the art form of the film: black and white silent film, The surrealism picture and the philosophical proposition of the mixture of East and West. The characters are minimalist, telling a story between a lonely old man and a fish, a bird, a child in seven days. The theme of the film can be from loneliness, choice, naturalism, fate, impermanence. The ancient and profound themes of Eastern and Western philosophy make films rich in connotation.
【作者单位】: 重庆广播电视大学;
【分类号】:J905
,
本文编号:2279721
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