中美动画策略中分镜头筹划比较研究
发布时间：2018-10-19 06:31
【摘要】：近二十多年来，我国动画市场充斥着美国、日韩、欧洲动画。这使得我国原创动画创作状态持续低迷。改革开放以来中国沿海很多动画企业单纯的进行国外动画片加工，对原创动画关注不够。探寻中国动画发展道路成为中国动画人应该思考的问题。动画有着独特的创制体系。特别是风靡全球的美国动画电影，动画创作者们使用丰富的题材和精美的画面取得了不同民族不同国家人们的普遍欢迎。他们吸收各国文化的精华，然后用美国的价值观及文化符号加以诠释，将其推向世界。美国动画长期以来一直领跑世界动画的发展。美国动画的成功很大程度上归功于其完善的前期分镜头筹划。当然，由于中美两国国情的不同，势必产生不同的动画策略，中国动画制作能力不弱，可近年少有优秀作品。究其原因笔者认为是前期分镜头筹划不够完善。因此中国动画需要借鉴美国动画创作模式，吸取其成功经验，并将其与中国实际相结合，本文将分析分镜头筹划在动画生产中的重要作用，并就中美动画创作策略中的分镜头筹划进行比较，针对动画创作模式进行探讨。通过大量分镜头资源和案例的比较分析，，尝试总结出在保持民族特色的同时又能使动画的创作高质高效的分镜头筹划模式。
[Abstract]:In the past twenty years, the animation market of our country is full of American, Japanese and Korean, European animation. This makes our country original animation creation state continues to be depressed. Since the reform and opening up, many animation enterprises in coastal China simply process foreign animation, but pay less attention to original animation. Exploring the development of Chinese animation has become a problem that Chinese animators should think about. Animation has a unique system of creation. In particular, American animation films, which are popular all over the world, are popular with people from different nations and countries with rich themes and fine pictures. They absorb the essence of national culture, then use American values and cultural symbols to interpret it and push it to the world. American animation has been leading the development of animation in the world for a long time. The success of American animation is largely due to its perfect early stage planning. Of course, due to the differences between China and the United States, different animation strategies are bound to be produced. The ability of animation production in China is not weak, but there are few excellent works in recent years. The reason for this is that the pre-stage lens planning is not perfect enough. Therefore, Chinese animation needs to draw lessons from American animation creation mode, absorb its successful experience, and combine it with Chinese reality. This paper will analyze the important role of shot planning in animation production. In addition, the paper compares the strategy of Chinese and American animation creation, and probes into the animation creation mode. Through the comparative analysis of a large number of shot resources and cases, this paper attempts to sum up a pattern of split lens planning which can keep the national characteristics while making the animation creation of high quality and high efficiency.
【学位授予单位】：沈阳航空航天大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954
本文编号：2280416
[Abstract]:In the past twenty years, the animation market of our country is full of American, Japanese and Korean, European animation. This makes our country original animation creation state continues to be depressed. Since the reform and opening up, many animation enterprises in coastal China simply process foreign animation, but pay less attention to original animation. Exploring the development of Chinese animation has become a problem that Chinese animators should think about. Animation has a unique system of creation. In particular, American animation films, which are popular all over the world, are popular with people from different nations and countries with rich themes and fine pictures. They absorb the essence of national culture, then use American values and cultural symbols to interpret it and push it to the world. American animation has been leading the development of animation in the world for a long time. The success of American animation is largely due to its perfect early stage planning. Of course, due to the differences between China and the United States, different animation strategies are bound to be produced. The ability of animation production in China is not weak, but there are few excellent works in recent years. The reason for this is that the pre-stage lens planning is not perfect enough. Therefore, Chinese animation needs to draw lessons from American animation creation mode, absorb its successful experience, and combine it with Chinese reality. This paper will analyze the important role of shot planning in animation production. In addition, the paper compares the strategy of Chinese and American animation creation, and probes into the animation creation mode. Through the comparative analysis of a large number of shot resources and cases, this paper attempts to sum up a pattern of split lens planning which can keep the national characteristics while making the animation creation of high quality and high efficiency.
【学位授予单位】：沈阳航空航天大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954
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