基耶斯洛夫斯基后期电影与王家卫电影比较
发布时间：2018-10-20 10:50
【摘要】：基耶斯洛夫斯基和王家卫,是20世纪90年代欧洲和亚洲电影界两位著名电影导演大师,他们的电影作品都集中关注后现代环境下人类的生存状态。们的影片对人物刻画和人性描写形象生动,特别是将当时社会背景下人们混不堪的状态和焦灼不安的情绪描述的淋漓尽致。 在基耶斯洛夫斯基和王家卫的电影作品中,导演们通过电影这种艺术手段体现他们自己内心世界的情感,这种通过电影来宣泄感情的导演不在少数,是敢于打破常规,通过消极甚至很压抑的电影艺术来为自由寻找出口,这不仅是一种勇气,更是内心深处对人性的思考以及对自由的憧憬。究其根源主还是受到“法国新浪潮”电影的影响,而在“法国新浪潮”的创作当中,存主义美学占有举足轻重的地位。所以说存在主义美学及其对新浪潮的影响是耶斯洛夫斯基和王家卫电影作品创作思想的根源所在。 对两位大师电影作品的比较不难看出虽然他们所处的国度不同、社会环境同及人生经历不同,其作品的艺术表现手法不同及对作品的反映角度不同,是两位大师作品的核心要义是相同的。呈献给观众的作品其反响,让观众对生的感悟、对人性的深刻思考是相同的。
[Abstract]:Chieslovsky and Wang Jiawei are two famous film directors in Europe and Asia in the 1990s. Their films focus on the living conditions of human beings in the post-modern environment. Their films depict the characters and human nature vividly, especially describe the people's confused state and anxious emotion in the social background at that time. In the works of Chieslovsky and Wang Jiawei, directors show their inner feelings through the art of film. There are not a few directors who vent their feelings through movies, and they dare to break the rules. It is not only a kind of courage to find the outlet for freedom through negative and even oppressive film art, but also a deep reflection of human nature and yearning for freedom. The origin of the film is still influenced by the French New Wave, in which existential aesthetics plays an important role in the creation of the French New Wave. Therefore, existentialism aesthetics and its influence on the new wave are the root of Yeslovsky and Wang Jiawei's film creation thought. The comparison of the two masters' film works is not difficult to see that, although they are in different countries, in the same social environment and in different life experiences, their works have different artistic expression methods and different angles of reflection to their works. The core meaning of the works of the two masters is the same. The response of the work presented to the audience is the same for the audience's perception of life and profound thinking about humanity.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2282924
[Abstract]:Chieslovsky and Wang Jiawei are two famous film directors in Europe and Asia in the 1990s. Their films focus on the living conditions of human beings in the post-modern environment. Their films depict the characters and human nature vividly, especially describe the people's confused state and anxious emotion in the social background at that time. In the works of Chieslovsky and Wang Jiawei, directors show their inner feelings through the art of film. There are not a few directors who vent their feelings through movies, and they dare to break the rules. It is not only a kind of courage to find the outlet for freedom through negative and even oppressive film art, but also a deep reflection of human nature and yearning for freedom. The origin of the film is still influenced by the French New Wave, in which existential aesthetics plays an important role in the creation of the French New Wave. Therefore, existentialism aesthetics and its influence on the new wave are the root of Yeslovsky and Wang Jiawei's film creation thought. The comparison of the two masters' film works is not difficult to see that, although they are in different countries, in the same social environment and in different life experiences, their works have different artistic expression methods and different angles of reflection to their works. The core meaning of the works of the two masters is the same. The response of the work presented to the audience is the same for the audience's perception of life and profound thinking about humanity.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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