新世纪宝莱坞叙事模式的嬗变
发布时间：2018-10-20 18:40
【摘要】：宝莱坞,印度电影的代名词。世界电影的百年历史中,除了好莱坞,印度电影也是功不可没。在印度电影的历史长河中,经历“新概念印度电影”和“印度新电影运动”两次新浪潮,促使了“马纱拉”电影的产生。其特点表现为：现实主义题材的挖掘、模式化的人物类型,和叙事并置的结构、侧重神话史诗的描述、众类型杂揉和因果定式等等。宝莱坞始终把握着本民族的文化特征,并将其成功地植入电影中,形神兼备,令世界瞩目——印度的民族文化是世界其他国家不可模拟,不可复制的。 新世纪前后,印度电影的叙事似乎都遵循着“三段歌舞,六首歌曲,一个明星”的大致模式,但受全球化语境的影响,又多多少少发生着变化。本文主旨就是从印度新世纪前后的经典影片入手,剖析印度电影在叙事模式这一文学角度,包含题材、人物、结构、情节、制作等,剖析其在全球化语境中题材的丰盈、歌舞音乐段落情节精湛、梦幻、多变,并增加热舞、电子乐、嘻哈等现代元素,植入更隐性等嬗变,让观众对现代宝莱坞有了更明确的认识,而宗教民族文化转向全球化多文化视域的交流,以及使用好莱坞的叙事风格和场面调度镜头,采用英语对白、跨国导演、跨国演员、跨国场景等国际元素与歌舞传统形式的嫁接的嬗变,吸取宝莱坞成功走向世界现代化,赢得观众赢得市场的经验,以期中国电影工作者不至在“文化殖民主义”下迷失方向,挖掘我们的民族特色,并大力发展我们的电影事业。
[Abstract]:Bollywood is synonymous with Indian films. In the world's 100-year history of film, in addition to Hollywood, Indian film is also a credit. In the long history of Indian film, two new waves of "New concept Indian Film" and "Indian New Film Movement" promoted the emergence of "Marsara" film. It is characterized by the excavation of realistic themes, the stylized character types, the parallel structure of narration, the description of mythical epics, the mixing of various types and causal patterns, and so on. Bollywood has always grasped the cultural characteristics of its own nation, and successfully implanted it into the film, with both shapes and spirits, which has attracted the attention of the world-India's national culture cannot be imitated or copied by other countries in the world. Before and after the new century, the narration of Indian films seems to follow the general pattern of "three songs and dances, six songs and one star", but under the influence of the context of globalization, more or less changes have taken place. The purpose of this paper is to analyze the literary perspective of the narrative mode of Indian film from the classical films around the new century, including the theme, characters, structure, plot, production and so on, and to analyze the abundance of the subject matter in the context of globalization. Song and dance music paragraphs are exquisite, dreamy, changeable, and add modern elements, such as hot dance, electronic music, hip-hop, and more recessive changes, so that the audience has a clearer understanding of modern Bollywood. And the religious culture has shifted to global, multi-cultural communication, as well as using Hollywood narrative styles and scene scheduling scenes, using English dialogue, multinational directors, multinational actors, The transmutation of international elements such as transnational scenes and traditional forms of singing and dancing, drawing on Bollywood's experience of successfully moving to the world modernization and winning the audience to win the market, in the hope that Chinese filmmakers will not lose their way under the "cultural colonialism". Explore our national characteristics and vigorously develop our film industry.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904
本文编号：2284044
[Abstract]:Bollywood is synonymous with Indian films. In the world's 100-year history of film, in addition to Hollywood, Indian film is also a credit. In the long history of Indian film, two new waves of "New concept Indian Film" and "Indian New Film Movement" promoted the emergence of "Marsara" film. It is characterized by the excavation of realistic themes, the stylized character types, the parallel structure of narration, the description of mythical epics, the mixing of various types and causal patterns, and so on. Bollywood has always grasped the cultural characteristics of its own nation, and successfully implanted it into the film, with both shapes and spirits, which has attracted the attention of the world-India's national culture cannot be imitated or copied by other countries in the world. Before and after the new century, the narration of Indian films seems to follow the general pattern of "three songs and dances, six songs and one star", but under the influence of the context of globalization, more or less changes have taken place. The purpose of this paper is to analyze the literary perspective of the narrative mode of Indian film from the classical films around the new century, including the theme, characters, structure, plot, production and so on, and to analyze the abundance of the subject matter in the context of globalization. Song and dance music paragraphs are exquisite, dreamy, changeable, and add modern elements, such as hot dance, electronic music, hip-hop, and more recessive changes, so that the audience has a clearer understanding of modern Bollywood. And the religious culture has shifted to global, multi-cultural communication, as well as using Hollywood narrative styles and scene scheduling scenes, using English dialogue, multinational directors, multinational actors, The transmutation of international elements such as transnational scenes and traditional forms of singing and dancing, drawing on Bollywood's experience of successfully moving to the world modernization and winning the audience to win the market, in the hope that Chinese filmmakers will not lose their way under the "cultural colonialism". Explore our national characteristics and vigorously develop our film industry.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904
【引证文献】
相关硕士学位论文 前1条
1 张静;新概念印度电影跨文化传播策略解析[D];安徽大学;2015年
，本文编号：2284044
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