塔可夫斯基的信仰之美
发布时间：2018-10-24 20:04
【摘要】：本文试图从美学的角度透视塔可夫斯基的艺术思想,认为塔氏艺术思想的原点在于信仰。塔氏的电影本质在于时间,时间的核心价值在于信仰。于是,信仰是其电影艺术的核心的核心。塔可夫斯基认为人的生存需要信仰赋予意义,他将善树立为信仰,这个善同真理一样属于超越的精神维度。人生在世的意义首先是和自己心中的恶斗争,以求在精神维度上提升自己。塔可夫斯基的时间概念就是在道德信仰观照之下的现世生活,向信仰前行就是其价值。同时,也只有在时间之中,人得以树立道德信仰。然而人的时间是有限的,无法超出生命的范围。而且现代生活以不停地劳碌、局限的人际交流、缺乏灵性的现代教育为常态,这遮蔽了时间的道德价值本质,造成了现代人的精神空虚。于是电影艺术作为时间的重现就诞生了。电影艺术可以弥补人缺失的时间,亦即去填补人精神经验的空虚,于是诗意的精神维度得以延长,精神信仰的体悟得以可能。塔氏的电影美学观念是在超现世的价值追求观照之下的,这也对电影艺术创作设立了原则,即以事实的形式与表现雕刻时间。塔可夫斯基始终如一地将这种道德信仰贯彻在电影创作中,形成了独具一格的艺术风格。
[Abstract]:This paper attempts to examine Tarkovsky's artistic thought from the angle of aesthetics, and holds that the origin of Tarkovsky's artistic thought lies in faith. The essence of the film is time, and the core value of time lies in faith. Therefore, belief is the core of his film art. Tarkovsky thinks that people's existence needs faith to give meaning, and he establishes the good as faith, which belongs to the spiritual dimension of transcendence just like truth. The meaning of life is to struggle with the evil in one's heart, in order to improve oneself in spiritual dimension. Tarkovsky's concept of time is the worldly life under the view of moral belief, and its value is moving forward to faith. At the same time, only in time, people can establish a moral belief. However, human time is limited and cannot exceed the scope of life. Moreover, modern life is characterized by constant toil, limited interpersonal communication and lack of spiritual modern education, which obscures the moral value essence of time and causes the spiritual emptiness of modern people. Film art was born as a reappearance of time. Film art can make up for the missing time, that is, to fill the emptiness of human spiritual experience, so the poetic spiritual dimension can be extended, and the realization of spiritual belief can be possible. His aesthetic concept of film is under the consideration of the pursuit of transcendental value, which also sets up the principle of film art creation, that is, the form of facts and the expression of carving time. Tacovsky consistently carried out this moral belief in film creation, forming a unique artistic style.
【学位授予单位】：北京第二外国语学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
本文编号：2292415
[Abstract]:This paper attempts to examine Tarkovsky's artistic thought from the angle of aesthetics, and holds that the origin of Tarkovsky's artistic thought lies in faith. The essence of the film is time, and the core value of time lies in faith. Therefore, belief is the core of his film art. Tarkovsky thinks that people's existence needs faith to give meaning, and he establishes the good as faith, which belongs to the spiritual dimension of transcendence just like truth. The meaning of life is to struggle with the evil in one's heart, in order to improve oneself in spiritual dimension. Tarkovsky's concept of time is the worldly life under the view of moral belief, and its value is moving forward to faith. At the same time, only in time, people can establish a moral belief. However, human time is limited and cannot exceed the scope of life. Moreover, modern life is characterized by constant toil, limited interpersonal communication and lack of spiritual modern education, which obscures the moral value essence of time and causes the spiritual emptiness of modern people. Film art was born as a reappearance of time. Film art can make up for the missing time, that is, to fill the emptiness of human spiritual experience, so the poetic spiritual dimension can be extended, and the realization of spiritual belief can be possible. His aesthetic concept of film is under the consideration of the pursuit of transcendental value, which also sets up the principle of film art creation, that is, the form of facts and the expression of carving time. Tacovsky consistently carried out this moral belief in film creation, forming a unique artistic style.
【学位授予单位】：北京第二外国语学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911
【参考文献】
相关期刊论文 前2条
1 郑天仪;;浅谈塔可夫斯基电影美学的道德第一性[J];长江丛刊;2016年29期
2 舒红跃;张黎;;何为时间:从柏格森、胡塞尔到海德格尔[J];江汉论坛;2014年06期
，本文编号：2292415
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