西藏题材电影的意识形态解读
发布时间：2018-10-30 09:34
【摘要】：法国结构主义学家阿尔都塞提出的意识形态国家机器理论,为电影意识形态批评提供了理论基础。阿尔都塞认为：电影作为国家意识形态工具的一部分,具有鲜明的意识形态性。中国电影尤其是少数民族题材影片同样遵循这一理论。在这些少数民族电影中,西藏由于其优美的自然风光、奇特的人文风俗以及特殊的政治原因,成为意识形态表达不可或缺的重要组成部分。不同时代、不同国家、不同民族所拍摄的西藏题材影片,在意识形态的表达上也有着鲜明的区别。 本文分为前言、正文和结语三个部分。前言部分对西藏题材影片的概念做一个界定,并对阿尔都塞的意识形态理论与电影的关系进行分析；正文分为四个部分,第一章介绍意识形态在西藏题材电影中的内容体现；第二章分析意识形态在西藏题材电影中的表现方式；第三章分析意识形态在西藏题材电影中的作用；第四章则从创作主体出发,分析意识形态在西藏题材电影中主创人员的身份诉求。结语部分是根据上文的研究分析,对西藏题材电影的未来发展做一个展望。
[Abstract]:French structuralist Althusser's theory of ideological state machinery provides a theoretical basis for film ideological criticism. Althusser thinks that as a part of national ideology, film has distinct ideology. Chinese films, especially minority films, also follow this theory. In these minority films, Tibet has become an indispensable part of ideological expression because of its beautiful natural scenery, peculiar cultural customs and special political reasons. The Tibetan films made in different times, different countries and different nationalities also have distinct differences in the expression of ideology. This article is divided into three parts: preface, text and conclusion. The preface defines the concept of Tibetan films, and analyzes the relationship between Althusser's ideology theory and films, the text is divided into four parts, the first chapter introduces the content of ideology in Tibetan films. The second chapter analyzes the expression of ideology in Tibetan films, the third chapter analyzes the role of ideology in Tibetan films. The fourth chapter analyzes the identity demands of the creators of ideology in Tibetan films. The conclusion part is based on the above research and analysis to the future development of Tibetan films.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2299627
[Abstract]:French structuralist Althusser's theory of ideological state machinery provides a theoretical basis for film ideological criticism. Althusser thinks that as a part of national ideology, film has distinct ideology. Chinese films, especially minority films, also follow this theory. In these minority films, Tibet has become an indispensable part of ideological expression because of its beautiful natural scenery, peculiar cultural customs and special political reasons. The Tibetan films made in different times, different countries and different nationalities also have distinct differences in the expression of ideology. This article is divided into three parts: preface, text and conclusion. The preface defines the concept of Tibetan films, and analyzes the relationship between Althusser's ideology theory and films, the text is divided into four parts, the first chapter introduces the content of ideology in Tibetan films. The second chapter analyzes the expression of ideology in Tibetan films, the third chapter analyzes the role of ideology in Tibetan films. The fourth chapter analyzes the identity demands of the creators of ideology in Tibetan films. The conclusion part is based on the above research and analysis to the future development of Tibetan films.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
相关期刊论文 前2条
1 尕藏加洋;;藏族题材电影和藏族电影中的文化反思[J];西藏艺术研究;2007年02期
2 邵培仁,李梁;媒介即意识形态——论法兰克福学派的媒介控制思想[J];浙江大学学报(人文社会科学版);2001年01期
，本文编号：2299627
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