零余者的封神路——论《边走边唱》中的“人”与“非人”
发布时间：2018-11-06 14:12
【摘要】：正《边走边唱》作为陈凯歌早期作品之一,被认为是其精神的自叙传,由于该电影对史铁生《命若琴弦》的改编获得了较大的超越,且灌注了导演强烈的个人色彩,从某种程度上可以将之看作是陈凯歌的独立作品。在以往的研究中,该篇的讨论主要立足于电影对小说的改编,电影的信仰和宿命论色彩,导演个人精神的自叙等几个方面,而较少关注到《边走边唱》中的所有角色在"人"与"非人"间的挣扎对电影表述的重要意义,本文将主要通过对老琴师和石头
[Abstract]:As one of Chen Kaige's early works, "singing while walking" is regarded as a self-narration of his spirit. Because the adaptation of Shi Tiesheng's "Destiny string" has been greatly surpassed, and the director's strong personal color has been instilled in it, To some extent, it can be regarded as Chen Kaige's independent work. In previous studies, the discussion was based on the adaptation of the film to the novel, the film's belief and fatalism, the self-description of the director's personal spirit, and so on. Less attention has been paid to the significance of the struggles of all the characters in "Man" and "Non-Human" to the film's expression. This paper will mainly focus on the role of the old pianist and the stone.
【作者单位】： 内蒙古医科大学马克思主义学院大学语文教研室;
【分类号】：J905
本文编号：2314512
[Abstract]:As one of Chen Kaige's early works, "singing while walking" is regarded as a self-narration of his spirit. Because the adaptation of Shi Tiesheng's "Destiny string" has been greatly surpassed, and the director's strong personal color has been instilled in it, To some extent, it can be regarded as Chen Kaige's independent work. In previous studies, the discussion was based on the adaptation of the film to the novel, the film's belief and fatalism, the self-description of the director's personal spirit, and so on. Less attention has been paid to the significance of the struggles of all the characters in "Man" and "Non-Human" to the film's expression. This paper will mainly focus on the role of the old pianist and the stone.
【作者单位】： 内蒙古医科大学马克思主义学院大学语文教研室;
【分类号】：J905
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