纪录片《准妈妈的婚礼》中的女性主义思考

发布时间：2018-11-06 17:00

【摘要】：自古以来,婚姻是一个家庭维系情感的一种合法的纽带。无论是在经济蓬勃发展的中国、发达的欧美国家还是稍显落后的第三世界国家,都有其相对完备的婚姻制度和约定俗成的道德约束。本人的毕业设计,纪录片《准妈妈的婚礼》,详实平静地记录了两个同样都是从大山里走出来的准备“奉子成婚”的女孩,通过形式相近的婚礼、生子、到婚后生活的一系列过程,以及过程中的各自不同的抉择,最终形成了各自不同的命运走向和生命质感的呈现方式。在本纪录片中,两个独立的女性个体,面对相似的事件,有限的命运抉择,在不同婚姻文化背景中、不同地域民俗观念差别中,命途的脉络悄然发生了极大的区别与转折。苗家民俗气息浓烈的传统婚礼上,可以看到诸如横幅标语、婚纱照、歌舞演出队等明显的现代文明侵袭和演进的印记；而小县城之中的现代城市婚礼之中,在仪式已经几乎大半西洋化和精简化的表象之下,却依然有着对传统文化符号的保留与传承,家族老人对于“女子无用”论根深蒂固的传统观念,却没有因为形式上的客观而发生主观上的偏移。在这些具体的婚礼仪式和婚后生活之中,本片紧密围绕着汉、苗两对夫妻,分别对两个家庭的结合过程中,周边相关人物以及本体人物自身的体验和情感的记录,体现一种中国人所独有的细腻的情感和人文关怀。以期表现出,在平静的生活节奏之外忽而闪现出婚礼过程的一抹亮色而后复又归于平淡的一种生活常态。
[Abstract]:Since ancient times, marriage has been a legal bond for a family to maintain its emotions. No matter in China where the economy is booming, the developed countries in Europe and America, or the countries in the third world that are slightly backward, all have their relatively complete marriage system and moral constraints. My graduation project, documentary "Mother-to-be 's Wedding", contains a detailed and peaceful record of two girls who are also coming out of the mountains to "marry by offering children," through similar weddings, giving birth to children. After marriage, a series of processes, and different choices in the process, finally formed their different fate trend and the appearance of life texture. In this documentary, two independent female individuals, faced with similar events, limited choice of destiny, in different marriage and cultural background, in different regional folklore concept differences, the fate of the vein quietly took place a great difference and turning point. In the traditional wedding, such as banners, wedding photos, singing and dancing troupe and so on, the Miao family can see the mark of the invasion and evolution of modern civilization. While in the modern city wedding in the small county town, under the appearance of almost half Westernization and simplification of the ceremony, there is still the preservation and inheritance of the traditional cultural symbols. The traditional idea that the old family is deeply rooted in the theory of "useless women" has not deviated subjectively because of its formal objectivity. In these specific wedding ceremonies and after marriage life, this film closely revolves around the Han and Miao couples, the two couples, respectively, in the process of combining the two families, the experiences and emotional records of the surrounding related figures and the Noumenon characters themselves. Embodies a kind of Chinese unique exquisite emotion and humane concern. In order to show, in the quiet rhythm of life suddenly flashed out of the wedding process of a bright color, and then back to a normal life.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J952

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