当下中国电影的救赎性研究（2010—2016）

发布时间：2018-11-07 08:22

【摘要】：近年来,随着物质经济水平的日益提高,个体生命受到的精神禁锢越来越严重,时代巨轮转动下衍生的负面效应也越来越明显。面对种种信仰困境、道德困境,“救赎”这一话题的探讨变得十分重要起来。本文以近年来的国产电影为研究文本,从人物类型、主题思想等角度来分析电影中带有救赎性的的语言、心理和行为表现。本研究从救赎性的三个维度,即人伦亲情救赎、宗教信仰救赎、青春理想救赎,对近年来中国电影进行梳理与研究,努力在这些电影中寻找中国传统伦理道德与社会现状之间的呼应和差异。同时关注电影中展现出的道德伦理与法律规范之间灰色地带,通过影像解读进而去探究当下中国人的精神面貌以及价值取向,在现存的问题中寻找一条伦理救赎之路、文化救赎之路以及审美救赎之路。论文前三章总体遵循“概念阐释,传统观念,现代观念”的篇章结构。第一节首先理清概念,从传统文化的及社会伦理的角度,对每章节中所涉及的救赎性类别进行的相关的介绍与阐释;第二节聚焦当下,将中国几千年的文明历史与时代变更后的现状进行比较,分析这种变化的外在表现、内在原因;第三节通过对电影影像语言的解读,从善与恶、情与法之间分析罪与爱、人性与情义、道德与法律之间的微妙界限,以及长久以来中国特有的道德伦理与法律法规之间的灰色地带进行探讨和分析,探究了中国人的生存态度、生命哲学,以及面对死亡与苦难时电影中表现出来的悲剧精神和牺牲与宽恕。第四章基于前三章的分析与思考,在整体上总结了中国电影中呈现的救赎性现象,在中国电影里的文化救赎意义、伦理救赎意义和审美救赎意义,并对新时代都市群体的文化、伦理、道德、审美等提出了提出了自己的意见和建议。
[Abstract]:In recent years, with the development of material economy, the mental confinement of individual life is becoming more and more serious, and the negative effects derived from the rotation of the giant wheel of the times are becoming more and more obvious. In the face of various religious and moral dilemmas, the topic of redemption has become very important. This paper analyzes the redeemable language, psychology and behavior of the films from the perspective of the types of characters, themes, and so on, taking the domestic films as the research texts in recent years. From the three dimensions of redemption, that is, the redemption of human relations, religious belief and youth ideal redemption, this study combs and studies Chinese films in recent years. Try to find the echoes and differences between Chinese traditional ethics and social status in these films. At the same time, pay attention to the gray area between moral ethics and legal norms, and explore the spiritual outlook and value orientation of the present Chinese people through video interpretation, and find a way of ethical redemption in the existing problems. The road of cultural redemption and aesthetic redemption. The first three chapters follow the structure of concept interpretation, traditional concept and modern concept. The first section first clarifies the concept, from the traditional culture and the social ethics angle, carries on the related introduction and the explanation to each chapter involved in the redeemable category; The second section focuses on the present, compares the history of Chinese civilization for thousands of years with the present situation after the change of the times, and analyzes the external performance and internal reasons of this change. The third section analyzes the subtle boundary between good and evil, affection and law, human nature and love, morality and law through the interpretation of film image language. And the grey area between moral ethics and laws and regulations, which has been unique in China for a long time, has explored the Chinese people's attitude to survival and philosophy of life. And the tragic spirit and sacrifice and forgiveness of the film in the face of death and suffering. Based on the analysis and thinking of the first three chapters, the fourth chapter summarizes the phenomenon of redemption in Chinese films, the significance of cultural redemption, ethical redemption and aesthetic redemption in Chinese films, and the culture of urban groups in the new era. Ethics, morality, aesthetics and so on put forward their own opinions and suggestions.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2

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