中国大陆潜伏类谍战剧中的故事研究
发布时间：2018-11-09 07:50
【摘要】：潜伏类谍战剧是指“以间谍活动为核心事件或主要情节,有着鲜明的对立与冲突”的电视剧,故事时间主要发生在建国以前,多为“敌明我暗”的“冒险”叙事模式。在潜伏类谍战剧作品所包含的众多故事中,围绕主人公的行动所形成的考验、牺牲、爱情等三个故事是潜伏类谍战剧的核心故事,承担着该类电视剧的核心功能。三者的交织成为潜伏类谍战剧固定且独有的标识性故事组合与类型化特征。本文以这三个故事为研究对象,首先运用叙事学对其进行归纳、解析,然后适当结合社会学、文化学等理论探讨故事如此建构的原因,力求把握故事中的价值内涵,并在此基础上从叙事、审美、思想等角度对三个故事予以评价。 考验故事是谍战剧的主故事。在潜伏类谍战剧的绝大多数叙事时间中,主人公都身处考验之中。对于主人公来说,考验是被动的、不由自主的,是自身身处平衡的被打破,一旦考验来临,主人公就要开始行动。主人公面对考验、接受考验并通过考验,体现出主人公充满智慧的一面。潜伏类谍战剧的考验主要来自剧中的诸多反派,其中最为重要也最为主要的考验即是诸多反派对主人公身份的怀疑,主人公逐步打消这些怀疑,并取得他们的信任。考验的本质是对抗、是冲突,在与诸多反派人物的对抗之中,故事得以进展,人物得以塑造,精神得以体现。在考验故事的建构过程中,“身份奇观”、“游戏快感”、“英雄情结”与“历史认同”等是考验故事引人入胜的重要原因。当然,在考验故事中也同样伴随着一些需要重新审视的问题,例如以“暴力”与“欺骗”为核心内容的人物生存法则,对权谋文化的自觉认同,以及其中所包含的意识形态矛盾等。 牺牲故事是潜伏类谍战剧中的严肃故事,承担着潜伏类谍战剧中的主旨思想,主要发生在主人公面对考验无处藏身之时,是一种“断尾求生”,也是一种“信仰祭奠”。从故事设计上看,其与考验故事有着相对一致的形式；然而从内涵寓意上说,牺牲故事与考验故事则是性质截然不同的两个故事。对于主人公而言,考验是“他被”,是对抗行为；而牺牲是“他选择”,是一种自觉行为,包含着创作者的道德、价值判断,表现出主人公崇高的信仰与精神,给予主人公人性的深度。牺牲故事中的戏剧冲突是主人公内心的自我冲突,营造出潜伏类谍战剧的悲剧效果,升华了故事的意义。牺牲意味着对小我的突破,主人公在牺牲中得到道德上的升华,从而具备感动观众的力量。因而,牺牲故事自觉成为主流文化与精英文化的密码输入场,包含着对民族主义、集体主义、英雄主义的颂扬。然而,在牺牲故事建构的同时,同样存在着矛盾与疏离,如信仰的乏力、娱乐的泛滥等。对此,应当强调主流文化在价值观建构上的主导地位。 爱情故事是潜伏类谍战剧的次故事,爱情线也是潜伏类谍战剧中重要的副线。爱情故事主要展示主人公的情感世界,表现出主人公的柔软一面、人性的一面,让主人公更为立体、闪亮,丰富了故事内容。与其他爱情故事相比,潜伏类谍战剧中的爱情故事有着其特殊的一面,集中表现在爱情与事业的冲突上,一方面,事业促成了爱情的形成；另一方面,事业又压抑着爱情的发展,这种被压抑的爱情具有某种深刻的隐喻功能。爱情故事伴随着考验故事、牺牲故事的发生而发展,在这一过程中革命伦理与爱情伦理合二为一。在此同时,爱情故事又不可避免地陷入了对身体、情感的消费当中；从女性主义视角来审视它们,同样能够发现由男性主导的种种性别叙事策略。 总而言之,面对问题我们应当以扬弃的态度,在电视剧创作中,要对其主题、内容、表现形式等多方面在价值观上加以必要的引导,以凝聚社会共识,树立积极正面的价值观。
[Abstract]:The latent fire-like drama refers to a series of TV series with sharp contrast and conflict in the event of espionage as the core event or the main plot. The time of the story mainly occurs before the founding of the People's Republic, and the enemy Ming and I have a dark adventure narrative mode. The test, sacrifice, love and other three stories, including the test, sacrifice, love and so on, are the core of the latent war play, and bear the core function of this kind of TV series. The interweave of the three is a fixed and unique identification story combination and typed feature of the latent class warfare play. This paper, taking the three stories as the research object, first uses the narratology to induce and analyze the story, and then, according to the theory of sociology, culture, and so on, to study the reason of the story so construction, try to grasp the value connotation in the story, and on this basis, from the narrative, the aesthetic, The three stories are evaluated at an angle of thought and so on. The test story is the main of the war play. The protagonist is in the test of the great majority of the narrative time of the latent period. Among the protagonists, the test is passive, involuntary, self-balanced and broken, and once the test comes, the protagonist is about to start. The protagonist is in the face of the test, the test and the test, and the protagonist is full of wisdom. The most important and most important test is the doubt of the protagonist's identity, and the protagonist has gradually put away the doubts and got them. Trust. The essence of the test is confrontation. It is a conflict. In the confrontation with many anti-personnel, the story is made, the characters are shaped, and the spirit is The 鈥渁 spectacle of identity鈥，
本文编号：2319801
[Abstract]:The latent fire-like drama refers to a series of TV series with sharp contrast and conflict in the event of espionage as the core event or the main plot. The time of the story mainly occurs before the founding of the People's Republic, and the enemy Ming and I have a dark adventure narrative mode. The test, sacrifice, love and other three stories, including the test, sacrifice, love and so on, are the core of the latent war play, and bear the core function of this kind of TV series. The interweave of the three is a fixed and unique identification story combination and typed feature of the latent class warfare play. This paper, taking the three stories as the research object, first uses the narratology to induce and analyze the story, and then, according to the theory of sociology, culture, and so on, to study the reason of the story so construction, try to grasp the value connotation in the story, and on this basis, from the narrative, the aesthetic, The three stories are evaluated at an angle of thought and so on. The test story is the main of the war play. The protagonist is in the test of the great majority of the narrative time of the latent period. Among the protagonists, the test is passive, involuntary, self-balanced and broken, and once the test comes, the protagonist is about to start. The protagonist is in the face of the test, the test and the test, and the protagonist is full of wisdom. The most important and most important test is the doubt of the protagonist's identity, and the protagonist has gradually put away the doubts and got them. Trust. The essence of the test is confrontation. It is a conflict. In the confrontation with many anti-personnel, the story is made, the characters are shaped, and the spirit is The 鈥渁 spectacle of identity鈥，
本文编号：2319801
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