电影《大鱼海棠》的美学意蕴
发布时间：2018-11-14 20:56
【摘要】：电影《大鱼海棠》上映以来因台词过于现代、剧情交代不明饱受观众诟病,但其对丰富东方艺术形态的吸收和融入无疑是一次成功的传统文化体验过程。该电影在人物设定、场景制作、价值观念等方面对中国文化内涵和人文情怀的最大化彰显,令其具备了独特的审美价值,其蕴含的艺术美学,需从多个角度予以审视。将符号化的文化素材具象化从而流畅地勾勒出中国传统文化与民俗文化的形态是电影《大鱼海棠》导演的创作出发点,因而,整部电影都弥漫着浓郁的中国风艺术色彩和美学内涵。
[Abstract]:Since its release, the movie "Big Fish Begonia" has been criticized by the audience because its lines are too modern and the plot is not clear, but its absorption and integration into the rich oriental art form is undoubtedly a successful process of traditional cultural experience. The film's maximization of Chinese cultural connotation and humanistic feelings in the aspects of character setting, scene making and value concept makes it have unique aesthetic value, and its artistic aesthetics needs to be examined from many angles. It is the starting point for the director of the film "Big Fish and Begonia" to visualize the symbolic cultural material so as to smoothly outline the forms of Chinese traditional culture and folk culture. The whole film is permeated with rich Chinese style of art color and aesthetic connotation.
【作者单位】： 吉林动画学院;
【分类号】：J954
，
本文编号：2332283
[Abstract]:Since its release, the movie "Big Fish Begonia" has been criticized by the audience because its lines are too modern and the plot is not clear, but its absorption and integration into the rich oriental art form is undoubtedly a successful process of traditional cultural experience. The film's maximization of Chinese cultural connotation and humanistic feelings in the aspects of character setting, scene making and value concept makes it have unique aesthetic value, and its artistic aesthetics needs to be examined from many angles. It is the starting point for the director of the film "Big Fish and Begonia" to visualize the symbolic cultural material so as to smoothly outline the forms of Chinese traditional culture and folk culture. The whole film is permeated with rich Chinese style of art color and aesthetic connotation.
【作者单位】： 吉林动画学院;
【分类号】：J954
，
本文编号：2332283
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