当代中国影像文化中的游民与游民意识
发布时间：2018-11-20 04:30
【摘要】：自上个世纪九十年代大众影像兴盛以来,我们在界定影像所反映的主体的时候,通常把一类人称作底层、边缘人、非主流群体,但至今都没有一个明确统一的概念定义这些大众影像当中出现的民间身影。由于宏观政策的调控以及维稳工作的需要,大部分关于底层游民的影像资料都被主流媒体有意无意地屏蔽掉了,即使得到了播出许可,影像当中最为核心的关于游民行为方式和价值观念的部分也会被重新统一和规整。因此在主流的影像研究中关于游民与游民意识的讨论处于长期缺席的状况。本文通过查阅现当代的文史资料,来追溯这类人群的历史文化渊源,从而对其游民身份进行定义与总结。并结合九十年代以来的电影、电视等影像资料,分析与归纳当代中国影像中展现游民的叙事方式与符号特征,进而讨论游民和游民意识对影像的创作与社会传播的影响。
[Abstract]:Since the prosperity of mass images in the 1990s, when we define the subjects reflected in the images, we usually refer to one kind of people as the bottom class, the marginal group, the non-mainstream group. But up to now, there is no clear and unified concept to define the folk figure in these mass images. As a result of macro-policy regulation and the need to maintain stability, most of the video material on the bottom Traveller has been deliberately or unintentionally blocked by the mainstream media, even if it has been granted broadcast permission. The most central part of the image on Traveller behavior and values will also be reunified and regularized. Therefore, the discussion of Traveller and Traveller consciousness in the mainstream image study is in the condition of absence for a long time. This paper traces the historical and cultural origins of this kind of people by referring to modern and contemporary literature and history materials, and then defines and summarizes their nomadic identity. Combined with the film, television and other video materials since the 1990s, this paper analyzes and summarizes the narrative and symbolic characteristics of the nomadic people in contemporary Chinese images, and then discusses the influence of the nomadic and Traveller consciousness on the creation and social dissemination of the images.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2343731
[Abstract]:Since the prosperity of mass images in the 1990s, when we define the subjects reflected in the images, we usually refer to one kind of people as the bottom class, the marginal group, the non-mainstream group. But up to now, there is no clear and unified concept to define the folk figure in these mass images. As a result of macro-policy regulation and the need to maintain stability, most of the video material on the bottom Traveller has been deliberately or unintentionally blocked by the mainstream media, even if it has been granted broadcast permission. The most central part of the image on Traveller behavior and values will also be reunified and regularized. Therefore, the discussion of Traveller and Traveller consciousness in the mainstream image study is in the condition of absence for a long time. This paper traces the historical and cultural origins of this kind of people by referring to modern and contemporary literature and history materials, and then defines and summarizes their nomadic identity. Combined with the film, television and other video materials since the 1990s, this paper analyzes and summarizes the narrative and symbolic characteristics of the nomadic people in contemporary Chinese images, and then discusses the influence of the nomadic and Traveller consciousness on the creation and social dissemination of the images.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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