论泰国恐怖电影的特征
发布时间：2018-11-20 20:17
【摘要】：恐怖电影从诞生之日起，一直被排斥在主流电影之外。然而不可否认的是，，恐怖电影绝对拥有其存在的必要性和重要性，因为它可以释放人内心深处被压抑的灵魂，以一种特殊的方式，使人类的精神世界得到放松。 自1999年《鬼妻》上映以来，泰国恐怖电影在国际影坛上以一种强势的姿态崛起，成为继美国、日本、韩国之后恐怖电影生产的大国。十几年来，数量众多、质量上乘的泰国恐怖电影形成一种合力，在本土、亚洲乃至世界电影史上，划下了浓墨重彩的一笔。 不同的国家和地域的恐怖电影，由于其历史特点、文化基础、民族心理、时代背景等各种原因的影响，展现出了不同的特征，具备区别于其他国家或地区同类型电影的独特之处。因此，本文从泰国恐怖电影形成的文化基础、发展的历史脉络论起，重点分析了泰国恐怖电影的叙事特点、视听特色、文化内涵，并在结语部分阐述了研究泰国恐怖电影对中国恐怖电影的发展有何启发和借鉴意义。希望有一天，中国恐怖电影也能屹然立于世界之林，形成自己独特的风格，在国际影展上光芒四射。
[Abstract]:Horror films have been excluded from mainstream films since their birth. However, it is undeniable that the horror film absolutely has the necessity and importance of its existence, because it can release the repressed soul in the heart and relax the spiritual world of human beings in a special way. Since the "ghost wife" was released in 1999, the Thai horror film has emerged as a big country after the United States, Japan and South Korea in the international film world. For more than ten years, Thai horror films with numerous quantity and excellent quality have formed a joint force, and they have made a great deal of effort in the history of local, Asian and even world films. Horror films from different countries and regions show different characteristics because of their historical characteristics, cultural basis, national psychology, background of the times, and so on. Different from other countries or regions of the same type of film unique. Therefore, this paper analyzes the narrative characteristics, audiovisual features and cultural connotations of Thai horror films from the perspective of the cultural basis and the historical context of their development. In the last part, the author expounds how the study of Thai horror films can enlighten and draw lessons from the development of Chinese horror films. Hope that one day, the Chinese horror film can stand in the forest of the world, form its own unique style in the international film show.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2345895
[Abstract]:Horror films have been excluded from mainstream films since their birth. However, it is undeniable that the horror film absolutely has the necessity and importance of its existence, because it can release the repressed soul in the heart and relax the spiritual world of human beings in a special way. Since the "ghost wife" was released in 1999, the Thai horror film has emerged as a big country after the United States, Japan and South Korea in the international film world. For more than ten years, Thai horror films with numerous quantity and excellent quality have formed a joint force, and they have made a great deal of effort in the history of local, Asian and even world films. Horror films from different countries and regions show different characteristics because of their historical characteristics, cultural basis, national psychology, background of the times, and so on. Different from other countries or regions of the same type of film unique. Therefore, this paper analyzes the narrative characteristics, audiovisual features and cultural connotations of Thai horror films from the perspective of the cultural basis and the historical context of their development. In the last part, the author expounds how the study of Thai horror films can enlighten and draw lessons from the development of Chinese horror films. Hope that one day, the Chinese horror film can stand in the forest of the world, form its own unique style in the international film show.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
相关期刊论文 前1条
1 彭骄雪,蒋亭亭;民族记忆与想象的复活——21世纪泰国电影的崛起[J];当代电影;2005年04期
本文编号：2345895
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2345895.html
